Dvorak / Symphony No.9 [Blu-ray]
形式: Blu-ray
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Nick from Shelburne VT
5つ星のうち5.0
Superb
2022年5月5日にアメリカ合衆国でレビュー済みAmazonで購入
The two works on this disc represent some of the most beautifully melodic and powerful symphonic works that we have available to us to enjoy, and these performances capture their richness and their grandeur. The musicianship is outstanding, the timing discipline is always admirably tight, and the several soloists are excellent. Because of the use of MANY microphones (I counted around 20), hanging closely over the various sections, the captured sound from all the instruments is exceptionally crisp, clean and 'close', and thus the brass, wind, strings and timpani all "pop out" cleanly, clearly, beautifully. Fantastic presence - as if you are sitting at the conductor's podium. Finally, the camera work (8 cameras) is perfectly directed. Over and over again the image switches to the featured instrument at the precise time that the instrument starts its unique role. Overall, the 'visuals' are excellent, due in large part to the 1080p recording (thus avoiding some of the motion artifacts associated with 1080i). Of note: the audio is DTS HD 'Master Audio' 5.0. Since it isn't '5.1', your subwoofer will remain idle, thus avoiding the possibility of the appearance of the artificial 'boominess' that can be present in a marginally unbalanced speaker system. Yet, there is no loss of low frequency content. The percussion is powerful and realistic. Long ago, I began to collect the LP recordings of the master conductors and their iconic symphony orchestras of the late 50s through the 70's - Dorati, Szell, Walter, Celibidache et al. As superb as those performances were, the excellent musicianship of today's ensembles, coupled with the multi-channel HD audio and Blu Ray video, are incomparably superior.

I. Giles
5つ星のうち5.0
Collectors can choose safely based simply on three programme choices with all three offering fine performances and recordings
2016年12月20日に英国でレビュー済みAmazonで購入
There are now 3 fine and equally recommendable recordings available on Blu-ray of the Dvorak Symphony 9 available for consideration and this is one of them. The three options provide for alternative couplings as well as other considerations as regards price and especially, playing time.
These recordings, made in 2014, were made in the ‘Herkulessaal der Muchner Residenz, Munich’ as distinct from the recordings made the following year in a different Munich venue by the same musicians. That one features Don Quixote by Strauss and the Symphony 8 by Dvorak. This particular disc has the benefit of a brighter and more revealing sound where the brass and percussion are more clearly projected. This seems to be more to do with the more revealing acoustics of this hall rather than any direction from Jansons. The camera work is involving without being invasive, the imaging is of good HD standard and the sound is well presented in DTS Master Audio 5.0 and stereo. The lack of a separate sub-woofer channel is not a problem in this case.
The two pieces benefit considerably from the clarity of the sound and match Jansons’ essentially straightforward direction. The two pieces seem to have been recorded on separate occasions. This is partly deduced from noting different players in the brass and woodwind sections, but rather more crucially by noting the changed hairstyles of a few of the lady players. It seems highly unlikely that anyone would change their hairstyle from ponytail to free style during an interval! Other than that observation the two recordings deliver identical characteristics.
The Dvorak is an exciting performance with generally forward pulse unaffected by undue deviations for additional expression. In this respect it joins the alternative recordings by Abbado with the BPO in Italy in 2002 and Dausgard in Denmark from 2009. Both Abbado and Dausgaard are marginally even more ‘straight’ in their interpretations with Abbado being the most straightforward of the three. However, these are very small differences and not likely to be considered essential by most collectors.
This new disc offers collectors the only modern version of the Mussorgsky Pictures so far available and this is an excellent performance with performances of distinction from all the soloists featured by Ravel’s arrangement. Once more, there is a good forward pulse where appropriate and there are plenty of satisfying ensemble sections to appreciate too. In particular it is worth mentioning the percussion contribution at the start of the Catacombs where the combined texture is particularly effective although not featured on camera. Overall, this is a performance that is likely to be a leading contender as alternative options may appear over time.
This then is a fine and collectable disc. So are the alternatives though and the variety of couplings make all three highly desirable. Collectors would overlap with the Dvorak in each case but all three choices may arguably be worth the duplication of such a major and collectable work.
Dausgaard clearly offers the most running time at slightly higher cost and his disc offers fine performances and recordings of no less than four main symphonies – Brahms 1, Dvorak 9, Sibelius 5 and Nielsen 3. Abbado is on particularly fine form and his disc, arguably one of his very best collections, offers superb and exciting overtures by Beethoven and Verdi, an outstanding Brahms Violin concerto with Shaham and a particularly exciting Dvorak. Jansons offers the shortest running time at a similar cost as Abbado. These issues may pose additional and relevant considerations for individual collectors.
Collectors with deep pockets should consider Abbado, Dausgaard AND Jansons as all three deliver fine performances and recordings with Dvorak duplicated. Other collectors can choose safely based simply on three programme choices with all offering fine performances and recordings.
These recordings, made in 2014, were made in the ‘Herkulessaal der Muchner Residenz, Munich’ as distinct from the recordings made the following year in a different Munich venue by the same musicians. That one features Don Quixote by Strauss and the Symphony 8 by Dvorak. This particular disc has the benefit of a brighter and more revealing sound where the brass and percussion are more clearly projected. This seems to be more to do with the more revealing acoustics of this hall rather than any direction from Jansons. The camera work is involving without being invasive, the imaging is of good HD standard and the sound is well presented in DTS Master Audio 5.0 and stereo. The lack of a separate sub-woofer channel is not a problem in this case.
The two pieces benefit considerably from the clarity of the sound and match Jansons’ essentially straightforward direction. The two pieces seem to have been recorded on separate occasions. This is partly deduced from noting different players in the brass and woodwind sections, but rather more crucially by noting the changed hairstyles of a few of the lady players. It seems highly unlikely that anyone would change their hairstyle from ponytail to free style during an interval! Other than that observation the two recordings deliver identical characteristics.
The Dvorak is an exciting performance with generally forward pulse unaffected by undue deviations for additional expression. In this respect it joins the alternative recordings by Abbado with the BPO in Italy in 2002 and Dausgard in Denmark from 2009. Both Abbado and Dausgaard are marginally even more ‘straight’ in their interpretations with Abbado being the most straightforward of the three. However, these are very small differences and not likely to be considered essential by most collectors.
This new disc offers collectors the only modern version of the Mussorgsky Pictures so far available and this is an excellent performance with performances of distinction from all the soloists featured by Ravel’s arrangement. Once more, there is a good forward pulse where appropriate and there are plenty of satisfying ensemble sections to appreciate too. In particular it is worth mentioning the percussion contribution at the start of the Catacombs where the combined texture is particularly effective although not featured on camera. Overall, this is a performance that is likely to be a leading contender as alternative options may appear over time.
This then is a fine and collectable disc. So are the alternatives though and the variety of couplings make all three highly desirable. Collectors would overlap with the Dvorak in each case but all three choices may arguably be worth the duplication of such a major and collectable work.
Dausgaard clearly offers the most running time at slightly higher cost and his disc offers fine performances and recordings of no less than four main symphonies – Brahms 1, Dvorak 9, Sibelius 5 and Nielsen 3. Abbado is on particularly fine form and his disc, arguably one of his very best collections, offers superb and exciting overtures by Beethoven and Verdi, an outstanding Brahms Violin concerto with Shaham and a particularly exciting Dvorak. Jansons offers the shortest running time at a similar cost as Abbado. These issues may pose additional and relevant considerations for individual collectors.
Collectors with deep pockets should consider Abbado, Dausgaard AND Jansons as all three deliver fine performances and recordings with Dvorak duplicated. Other collectors can choose safely based simply on three programme choices with all offering fine performances and recordings.

David Hodgson
5つ星のうち5.0
A superb performance and recording
2023年7月25日に英国でレビュー済みAmazonで購入
I wanted a recording of the Dvorak and this fits the bill. It is a superb performance. On top of this the Mussorgsky is of a similar high standard.