Keeping Score : Berlioz Symphonie Fantastique [DVD]
形式: DVD
ジャンル | Music Video & Concerts, Classical / Symphonies |
フォーマット | ワイドスクリーン, AC-3, クラシック |
コントリビュータ | Sfs, Michael Tilson Thomas |
言語 | 英語 |
ディスク枚数 | 1 |
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商品の説明
キーピング・スコア~ベルリオーズ:幻想交響曲 ティルソン・トーマス&サンフランシスコ交響楽団 マイケル・ティルソン・トーマス指揮サンフランシスコ交響楽団による注目のシリーズ「キーピング・スコア」に新たなタイトルが加わります。これまでも『春の祭典』、『英雄』、『アパラチアの春』、『チャイコフスキー第4番』と、そのにぎやかで迫力満点の音響路線により高い評価を獲得してきたティルソン・トーマス&サンフランシスコ響ですが、今回もその精神はまったく同じです。 ハイ・クオリティな本番全曲演奏との組み合わせで、その作曲家と作品にまつわる解説ドキュメンタリーが収録されているのもこれまで通り。オーケストラ・ファンには見逃せない映像作品です。
登録情報
- アスペクト比 : 1.77:1
- メーカーにより製造中止になりました : いいえ
- 言語 : 英語
- 製品サイズ : 19 x 13.59 x 1.42 cm; 95.25 g
- EAN : 0821936002292
- 製造元リファレンス : KESC4201
- メディア形式 : ワイドスクリーン, AC-3, クラシック
- 発売日 : 2018/9/11
- 出演 : Michael Tilson Thomas, Sfs
- 販売元 : 株式会社ソニー・ミュージックエンタテインメント
- ASIN : B002S913PM
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 281,099位DVD (DVDの売れ筋ランキングを見る)
- - 1,535位交響曲・管弦楽曲DVD
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2005年5月14日に日本でレビュー済み
リージョンフリー版を見た感想です。チャイコフスキーの4番をサンフランシスコ交響楽団が演奏するまでのドキュメンタリーと実際の演奏、その他チャイコフスキーの生涯などが入っています。指揮者と団員、関連スタッフが事前にどういう準備をしているかがつぶさにわかります。同時に4番のトーマス流解釈について語られます。また、この楽団が主催したファミリーコンサートの模様も出てくるのですが、実に楽しそうな会で、アメリカ文化のいい面がちりばめられています。唯一問題があるとすれば日本語の字幕がないことですが、英語の勉強も兼ねると考えるならばむしろいい「教材」となるでしょう。
2015年9月14日に日本でレビュー済み
Amazonで購入
アナりーぜを楽しみに購入したが、
この程度の中身では、一般向けのテレビ番組程度です。
得るものはなく、また演奏も好みではない!
もう見ることは無いな。
この程度の中身では、一般向けのテレビ番組程度です。
得るものはなく、また演奏も好みではない!
もう見ることは無いな。
他の国からのトップレビュー

Fabio
5つ星のうち5.0
Ottima esecuzione ottima incisione
2022年11月19日にイタリアでレビュー済みAmazonで購入
Bassi superlativi ottima esecuzione incisione ottima

I. Giles
5つ星のうち5.0
A particularly exciting performance of appropriately high emotional impact
2013年5月25日に英国でレビュー済みAmazonで購入
This disc, following the pattern of others in this series, contains an hour long documentary plus a performance in concert of the main work focussed on. The quality of the concert performance is excellent and visually involving. The sound offers imaging of excellent clarity and depth and is presented in both HD DTS and stereo, defaulting to DTS. The visual recording is of an equally high quality.
The documentary was completely engrossing and informative even for someone like myself who has been very familiar with the Fantastic Symphony for some 50 years and who has more than a passing knowledge of Berlioz and his times. Even so, there were revelations, in my case four of importance.
The first revelation was that Berlioz thought up the opening theme as a song when only 12 years of age. This is initially sung by a boy and then grafted into an extract from the performance to make the link very clear. The second revelation was the example of the shepherds theme from the 3rd movement being played on alpine horns in an alpine situation by a member of the horn section. Once again a link with Berlioz's inspiration made totally clear. The next revelation was the idea that the March to the Scaffold could be seen as a joyous event - seen from the revolutionary onlookers' point of view, including the executioners. I had always resisted a fast performance of this movement as seen from the victims' viewpoint. The last revelation was the knowledge that the bells (signifying a funeral) used in the final movement were traditionally played with 3 strikes than a pause upon each repetition.
In is unlikely that the documentary will be played many times so it is vital that the concert performance is special as a full price disc for a repeatable element of less than an hour is expensive. This performance is particularly fine, perfectly capturing the extreme changes of mood with playing and recording of exceptional quality.
All in all, a truly treasurable addition to a library that already has fine performances of the symphony. This will be the favourite though for a fully involving experience.
I would suggest that this disc deserves very serious consideration as a purchase. Get it while it is still available!
Finally, this Blu-ray disc is clearly marked as 'Region 1' but nevertheless plays perfectly on my region 'B' Blu-ray player so presumably this is actually a region-free disc in reality. The labelling is therefore not the most encouraging and the use of a number code rather than letters is unusual.
The documentary was completely engrossing and informative even for someone like myself who has been very familiar with the Fantastic Symphony for some 50 years and who has more than a passing knowledge of Berlioz and his times. Even so, there were revelations, in my case four of importance.
The first revelation was that Berlioz thought up the opening theme as a song when only 12 years of age. This is initially sung by a boy and then grafted into an extract from the performance to make the link very clear. The second revelation was the example of the shepherds theme from the 3rd movement being played on alpine horns in an alpine situation by a member of the horn section. Once again a link with Berlioz's inspiration made totally clear. The next revelation was the idea that the March to the Scaffold could be seen as a joyous event - seen from the revolutionary onlookers' point of view, including the executioners. I had always resisted a fast performance of this movement as seen from the victims' viewpoint. The last revelation was the knowledge that the bells (signifying a funeral) used in the final movement were traditionally played with 3 strikes than a pause upon each repetition.
In is unlikely that the documentary will be played many times so it is vital that the concert performance is special as a full price disc for a repeatable element of less than an hour is expensive. This performance is particularly fine, perfectly capturing the extreme changes of mood with playing and recording of exceptional quality.
All in all, a truly treasurable addition to a library that already has fine performances of the symphony. This will be the favourite though for a fully involving experience.
I would suggest that this disc deserves very serious consideration as a purchase. Get it while it is still available!
Finally, this Blu-ray disc is clearly marked as 'Region 1' but nevertheless plays perfectly on my region 'B' Blu-ray player so presumably this is actually a region-free disc in reality. The labelling is therefore not the most encouraging and the use of a number code rather than letters is unusual.

Chhan Thuan Kiat
5つ星のうち5.0
5 stars and a rosette--best Blu ray classical disc ?
2010年8月31日にアメリカ合衆国でレビュー済みAmazonで購入
Those of you classical music buffs who read the Penguin Gramophone Record and CD reviews for bedtime will know that only very special discs are ever awarded the coveted rosette. Why do I think this disc is so special ?
Well, for starters Michael T Thomas, the conductor, comes up with an educational yet very entertaining introduction and analysis of Berlioz's "Symphonie Fantastique", an inspired musical dream, if ever there was one. In an informal, partly serious, partly gossipy style, MTT narrates the the passion of Berlioz for Harriet Smithson, his muse and idee fixe for this melodramatic symphony, accompanied by high definition video of Paris and the French countryside. The analysis is not profound musicology, but just enough to enhance one's understanding and appreciation of the structure of the piece, and the character of this Byronic megalomaniac.
Secondly, this disc sets the present and future standards for video work for orchestral recordings, thanks indeed to state of the art camera technology and the great coordination between the score reader and the camera team. The video is spot on the various sections of the large orchestra as the complex symphony unfolds and it's as if one were reading the score, pictorially. This disc fulfills the the raison d'etre of classical music on video most elegantly, and that is that one should "see the music"
Last and most importantly, we are treated to a complete concert performance of the Symphony by the San Francisco Symphonic Orchestra, enthusiastically conducted by Thomas, in an audio recording to take one's breath away. In either Dolby TruHD 5.1 or Tru HD 7.1 format, the recorded sound is truly stupendous! The sound stage is full in height and breadth within which musical instruments or sections are boldly 'imaged'. In the 1st movement (Reverie), listen to the the leitmotiv with the high flutes and woodwinds underpinned by the growling cellos and basses. Some conductors emphasize the mysterious aspect of this passage, Thomas emphasizes the delirious ! The "Ball" is played wonderfully in a lilting, rhythmic fashion, with shimmering strings augmented to great effect by the two harps. The "Scene in the Field" opens with a delicious back and forth by the cor anglais, echoed by an oboe off stage, and the Alpine horn melody is then passed on to flute and then to the horns all the time counterpointed by the lower strings. Beautiful.I feel this is the best movement, quiet , pastoral and tender. MTT gives us one of the most exciting "March to the Scaffold" and the sound is really spectacular, especially the drum rolls. But the sonic pyrotechnics are at their peak in the last movement "Witches Sabbath". Audiophiles should have their hearts' delight with the fabulously recorded bass strings, screeching bassoons and flutes; the passage with the bells and the sonorous tuba is worth noting, but above all the drums. Tight,full and deep the drums give a visceral punch and on a system with a good subwoofer you can almost feel the air move. This has to be the best recorded classical music disc, period.
One may argue here and there over points of interpretation, but overall MTT gives a most satisfactory account and this rave review is in no small measure influenced by the fantastic audio and standard setting video/camera work. Friends this is a very special disc.
Well, for starters Michael T Thomas, the conductor, comes up with an educational yet very entertaining introduction and analysis of Berlioz's "Symphonie Fantastique", an inspired musical dream, if ever there was one. In an informal, partly serious, partly gossipy style, MTT narrates the the passion of Berlioz for Harriet Smithson, his muse and idee fixe for this melodramatic symphony, accompanied by high definition video of Paris and the French countryside. The analysis is not profound musicology, but just enough to enhance one's understanding and appreciation of the structure of the piece, and the character of this Byronic megalomaniac.
Secondly, this disc sets the present and future standards for video work for orchestral recordings, thanks indeed to state of the art camera technology and the great coordination between the score reader and the camera team. The video is spot on the various sections of the large orchestra as the complex symphony unfolds and it's as if one were reading the score, pictorially. This disc fulfills the the raison d'etre of classical music on video most elegantly, and that is that one should "see the music"
Last and most importantly, we are treated to a complete concert performance of the Symphony by the San Francisco Symphonic Orchestra, enthusiastically conducted by Thomas, in an audio recording to take one's breath away. In either Dolby TruHD 5.1 or Tru HD 7.1 format, the recorded sound is truly stupendous! The sound stage is full in height and breadth within which musical instruments or sections are boldly 'imaged'. In the 1st movement (Reverie), listen to the the leitmotiv with the high flutes and woodwinds underpinned by the growling cellos and basses. Some conductors emphasize the mysterious aspect of this passage, Thomas emphasizes the delirious ! The "Ball" is played wonderfully in a lilting, rhythmic fashion, with shimmering strings augmented to great effect by the two harps. The "Scene in the Field" opens with a delicious back and forth by the cor anglais, echoed by an oboe off stage, and the Alpine horn melody is then passed on to flute and then to the horns all the time counterpointed by the lower strings. Beautiful.I feel this is the best movement, quiet , pastoral and tender. MTT gives us one of the most exciting "March to the Scaffold" and the sound is really spectacular, especially the drum rolls. But the sonic pyrotechnics are at their peak in the last movement "Witches Sabbath". Audiophiles should have their hearts' delight with the fabulously recorded bass strings, screeching bassoons and flutes; the passage with the bells and the sonorous tuba is worth noting, but above all the drums. Tight,full and deep the drums give a visceral punch and on a system with a good subwoofer you can almost feel the air move. This has to be the best recorded classical music disc, period.
One may argue here and there over points of interpretation, but overall MTT gives a most satisfactory account and this rave review is in no small measure influenced by the fantastic audio and standard setting video/camera work. Friends this is a very special disc.

Vasco Almeida
5つ星のうち3.0
Everything but the sound
2010年5月23日にフランスでレビュー済みAmazonで購入
I have recently bought this DVD and have enjoyed it immensely, besides learning a great deal. However, contrary to my expectations, there is no PCM sound track available, only DTS 5.1 and Dolby Digital 2.0; this is very odd, since 99% of the buyers of this article will have a stereo setup. It is this which prevented me from giving it full marks.

Mig Mig
5つ星のうち2.0
YOU SPEND AN HOUR WATCHING MTT
2023年5月3日にカナダでレビュー済みAmazonで購入
The sound and video are High Definition and the music is great. The 2 stars is
because I'm not interested in watching the face of Tilson Thomas every 2 seconds with
almost no views of the orchestra. I think that man must be a real egocentric.
because I'm not interested in watching the face of Tilson Thomas every 2 seconds with
almost no views of the orchestra. I think that man must be a real egocentric.