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シベリウス:交響曲第3番/第5番

セーゲルスタム (アーティスト) 形式: CD
5つ星のうち4.6 11
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新品 中古品
CD, インポート, 2010/8/9 インポート
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— ￥1,028
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  1. シベリウス:交響曲第2番, 第6番
  2. シベリウス:交響曲第1&7番
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商品の説明

アーティストについて

セーゲルスタム/ヘルシンキ・フィルハーモニー管弦楽団

登録情報

  • 製品サイズ ‏ : ‎ 12.7 x 13.97 x 1.27 cm; 100 g
  • メーカー ‏ : ‎ ONDINE
  • EAN ‏ : ‎ 0761195103524
  • SPARSコード ‏ : ‎ DDD
  • レーベル ‏ : ‎ ONDINE
  • ASIN ‏ : ‎ B000632PDQ
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    5つ星のうち4.6 11

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星5つ中4.6つ
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Madison
5つ星のうち5.0 Excellent recording
2023年5月1日に英国でレビュー済み
Amazonで購入
Outstanding textures and a revealing sonic landscape. Wonderful.
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Adam Catalyst
5つ星のうち5.0 The single best recording of the 5th
2016年12月26日にカナダでレビュー済み
Amazonで購入
I have listened to virtually every critically revered recording of Sibelius' 5th Symphony, and this one is it for me. It is not perfect, some minor tempo issues/shifts in the 3rd movement always irk me, but what it gets right far outweighs what it gets wrong. This is a difficult piece of music, and there are not shortage of good recordings of it, but this one really is something special. PLUS, it is probably the most technically virtuous of any recording of the 5th. Outstanding sound quality, coupled with an outstanding performance. If you only own one recording of the 5th, this is the one to get.
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Moldyoldie
5つ星のうち5.0 Elicits a Grin, Not a Groan
2007年7月8日にアメリカ合衆国でレビュー済み
Amazonで購入
These are not what one would describe as straightforward accounts of these two fine symphonies, but they might just be the most enjoyably characterful performances one will likely ever hear. Conductor Leif Segerstam puts his big bearhug around these works in creamily lush and expansive renderings steeped in late Romanticism, yet brimming with idiomatic Finnish flavor. The first movement of Symphony No. 3 starts off rather tepid in the lower strings, but builds to a fine frothy crescendo, then subsides via a mysterious ostinato into a prolonged subdued undercurrent of pent-up joy, finally bursting open at the seams accompanied by a loud and proud tympani. The movement dynamically subsides again and solemnly slows as it leads us to the concluding and effectively understated "amen". The second movement Andantino is as tuneful as ever, taken appropriately slow and characterized here by a fine flowing rubato. Segerstam and the orchestra artfully vary the dynamic, but are careful to never exceed a lilting mezzo-piano over it's roughly ten-minute length; that's until near the end of the movement when the strings and winds make a subtle, but noticeable break of that threshold before subsiding once again to the final notes -- very nicely done! The Moderato-Allegro finale is also marvelously rendered with its mix of quiet mystery, impending drama, and all-out effusion. The build-up and culminating of the brass outbursts are something to hear! One wishes for more "extension" to the coda, but alas, Segerstam truncates it as is his wont...and apparently also that of Sibelius. In all, I find this performance to be one of the few I've heard of the Third to present a cogent combination of both profound musical insight and thoroughly coherent interpretation, if not necessarily the very last word in orchestral execution. To that last point, I'll concede that such a consideration would be quibbling and might actually be counter to the characterfulness of which I wrote at the beginning.

The popular Symphony No. 5 here projects a wonderful, slowly-wrought optimism instead of the abject melancholy found in some other similarly slow performances (re: Salonen/Philharmonia/CBS  Jean Sibelius: Symphony No.5, Op.82/Pohjola's Daughter ). Segerstam very adroitly shapes the first movement build to the initial powerfully pronounced entry of the so-called swan hymn, then subsides into a characterful and subtly shaded build to the even more powerful conclusion of the movement -- it seems to spontaneously explode from the orchestra! The final two movements are equally affecting in their fine phrasing and shaping of both tempo and dynamics. The second appearance of the swan hymn is given an appropriately paced and exhilirating lilt, while the coda suddenly and unusually takes on an extra dose of speed before running up against the concluding single-note "hammerblows". If nothing else, it's a somewhat unique ending to this well-worn symphony. The sound from Ondine is absolutely first-rate.
9人のお客様がこれが役に立ったと考えています
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Dr. Alberto Valdés Tola
5つ星のうち3.0 Buenas interpretaciones
2022年5月2日にアメリカ合衆国でレビュー済み
Amazonで購入
Me ha gustado las dos interpretaciones de la sinfonía 3 y 5 de Sibelius, bajo la batuta de Leif Segerstam... si tuviera que describirlas, en términos simples, directos y generales, diria que son rendiciones funcionales; además, consonas idiomáticamente (pues me parece que en alguna medida se puede apreciar cierto aire finlandes por no decir folclórico); por último, creo que la ingeniería acústica es buena, sin llegar a ser excelente: destaca algunos matices sinfónicos relacionados a los instrumentos de viento de madera (en especial en la tercera sinfonía), lo cual le da color y belleza. No obstante, hay algunos momentos en dónde la música baja tanto de volumen que a panas se puede apreciar los matices, pero por fortuna no son muchos.

Ahora bien, creo que la quinta sinfonía tiene un tratamiendo particular por parte de Segerstam, lo cual le da mayor originalidad y claridad en algunos pasajes; por otra parte, el primer movimiento de esta sinfonía es la joya de la corona, siendo los dos movimientos restantes interpretaciones más regulares.
1人のお客様がこれが役に立ったと考えています
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