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Haydn: the Seasons

Haydn, Franz Joseph (アーティスト) 形式: CD
5つ星のうち4.8 37
仕様
価格
新品 中古品
CD, CD, インポート, 2014/3/11 CD, インポート
—
￥6,535 ￥8,215
CD, CD, インポート, 2004/9/14 CD, インポート
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￥6,598 ￥1,245
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登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 14 x 12.83 x 1.65 cm; 190.51 g
  • メーカー ‏ : ‎ Harmonia Mundi Fr.
  • EAN ‏ : ‎ 3149020182901
  • レーベル ‏ : ‎ Harmonia Mundi Fr.
  • ASIN ‏ : ‎ B00GDJ9KAI
  • ディスク枚数 ‏ : ‎ 2
  • カスタマーレビュー:
    5つ星のうち4.8 37

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星5つ中4.8つ
5つのうち4.8つ
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jpded
5つ星のうち5.0 Que du bonheur !!
2022年5月3日にフランスでレビュー済み
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Je n’ai jamais été enthousiasmé par La Création (j'ai la version Karajan/Berlin dite de référence avec un tas de grands chanteurs…) mais là on se régale vraiment, quelle folle inspiration, quelle imagination mélodique, il a fait fort Papa Haydn (compositeur pour moi trop sous estimé) et il a trouvé en René Jacobs le « partenaire » idéal, direction précise, attentionné, chaleureuse, avec la splendeur des timbres du Freiburger Barockorchester (écoutez par exemple l’ouverture de « L’Hiver ») et les 3 chanteurs (peu connus ??) ont de très belles voix, bien caractérisés, qui s’accordent magnifiquement dans les duos ou trios (on pense parfois aux opéra de Mozart), le choeur aussi est très bien. Je ne vois aucun défaut à cette interprétation et le son de l'enregistrement est parfait, à acheter sans hésitation…
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Charles Boberg
5つ星のうち5.0 Outstanding performance
2020年1月15日にカナダでレビュー済み
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For those whose knowledge of Haydn is restricted to the Surprise Symphony, or perhaps a couple of the piano sonatas, this mature work, one of his last and greatest (along with its predecessor, The Creation), may come as a surprise: here is not only the typical charm, humour and delightful melody typical of most of Haydn's output, but a higher level of artistic achievement that, in my view, is certainly on a par not only with Haydn's contemporary Mozart (who was already gone when it appeared), but with his successor, Beethoven (it was written around 1800, well into Beethoven's career). I came to know this work well by listening repeatedly to Gardiner's version with the English Baroque Soloists, which is superb in every way, so I thought I would never need to hear another. The reasonable price and estimable credentials of this recording, however, attracted my attention and on hearing it I was truly impressed: excellent performances from soloists, chorus and orchestra (as one would expect from the Freiburg Baroque Orchestra, a top-notch ensemble), all very well recorded. The natural horns do a fine job in the hunting chorus (if not quite as raucous as Gardiner's horns, but with "uncorrected" sharp subdominants, which may not be to everyone's taste but adds both excitement and historical accuracy), and the contrabassoon sound is simply amazing. This recording also restores sections of the orchestral preludes to Parts 3 (Autumn) and 4 (Winter) that were cut in what became the standard version of the score, a welcome feature, as these preludes are some of Haydn's greatest music, leading directly to Beethoven.
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birdwalker
5つ星のうち5.0 Haydn at his most personal
2018年11月22日にアメリカ合衆国でレビュー済み
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Haydn's oratorio The Creation is perhaps his most personal composition. Short biographies of Haydn never mention how very devout he was. During the composition of The Creation, he would go to his knees every morning upon getting out of bed, and pray to God to give him strength to finish this work. However, the story of creation from the Bible was a very joyful one for Haydn, and so it put few constraints on his (24/7) sense of humor. It tamed his more boisterous musical jokes, but left him to exercise his wit -- which he did throughout the two hours of the work. Every bit of orchestration in this work, every detail, is deliberate and witty. It's my belief that Haydn even planted a laugh-aloud joke in the work, but I haven't found any confirmation of my perception -- except perhaps from Haydn himself: Haydn supposedly told a friend that after all that seriousness one had to have some amusement. I have only the translation of his words, but if that translation is accurate, Haydn has given the best clue to the location of my supposed joke.

Some masterpieces demand incredible resources that are almost impossible to fulfill in performance. Verdi's La Traviata, or Il Trovatore, or his Requiem, are other examples. Soloists, orchestra, chorus, conductor, venue, engineering in the case of recordings and even the audience can be crucial to the outcome. The DVD with Muti, Popp, Araizo, Ramey and Bar meet all the requirements for exceptional. This is a superb performance of a great, joyous and witty work.
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WH CHARLTON-PERKINS
5つ星のうち5.0 STUPENDOUS
2017年11月27日に英国でレビュー済み
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Another triumph for the ever remarkable maestro Rene Jacobs! This recording of Die Jahreszeiten sweeps the boards, and is clearly in a class of its own. Joseph Haydn's great oratorio could not want for a more passionate group advocate than that which Harmonia Mundi have given us. In the hands of Jacobs and his team, each of the successive arias and trios in this superlative recording sweeps the listener along with an interpretive life force that matches the veteran composer's own white hot creation. Stupendous.
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Amazon Customer
5つ星のうち5.0 Dépoussiéré, un Haydn incarné, un pied au XVIIIème, l'autre au XIXème
2021年4月23日にフランスでレビュー済み
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Par rapport à son autre oratorio Die Schöpfung, Die Jahrezeiten ne m'avait jamais vraiment interessé jusqu'à cette version... Dépoussiéré sans être dépoudré, Haydn comme on aimerait l'entendre plus souvent: l'ami de Mozart qui a été impressionné par les oratorios de Handel entendus à Londres et qui "annonce" Beethoven. On comprend pourquoi Napoléon était fan de Haydn ;-)
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