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Haydn Edition Vol.1:Londo

Haydn, J. (アーティスト) 形式: CD
5つ星のうち4.6 31
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曲目リスト

ディスク： 1

1 Haydn : Symphony No.68 in B flat major : I Vivace
2 Haydn : Symphony No.68 in B flat major : II Menuetto
3 Haydn : Symphony No.68 in B flat major : III Adagio cantabile
4 Haydn : Symphony No.68 in B flat major : IV Finale - Presto
5 Haydn : Symphony No.93 in D major : I Adagio - Allegro assai
6 Haydn : Symphony No.93 in D major : II Largo cantabile
7 Haydn : Symphony No.93 in D major : III Menuetto - Trio
8 "Haydn : Symphony No.93 in D major : IV Finale - Presto, ma non troppo"
9 "Haydn : Symphony No.94 in G major, 'Surprise' : I Adagio cantabile - Vivace assai"
10 "Haydn : Symphony No.94 in G major, 'Surprise' : II Andante"
11 "Haydn : Symphony No.94 in G major, 'Surprise' : III Menuet - Trio"
12 "Haydn : Symphony No.94 in G major, 'Surprise' : IV Finale - Allegro di molto"

ディスク： 2

1 Haydn : Symphony No.95 in C minor : I Allegro moderato
2 Haydn : Symphony No.95 in C minor : II Andante
3 Haydn : Symphony No.95 in C minor : III Menuetto
4 Haydn : Symphony No.95 in C minor : IV Finale - Vivace
5 "Haydn : Symphony No.96 in D major, 'The Miracle' : I Adagio - Allegro"
6 "Haydn : Symphony No.96 in D major, 'The Miracle' : II Andante"
7 "Haydn : Symphony No.96 in D major, 'The Miracle' : III Menuetto - Trio"
8 "Haydn : Symphony No.96 in D major, 'The Miracle' : IV Finale - Vivace assai"
9 Haydn : Symphony No.97 in C major : I Adagio - Vivace
10 "Haydn : Symphony No.97 in C major : II Adagio, ma non troppo"
11 Haydn : Symphony No.97 in C major : III Menuetto - Allegretto
12 Haydn : Symphony No.97 in C major : IV Finale - Spiritiuoso

ディスク： 3

1 Haydn : Symphony No.98 in B flat major : I Adagio - Allegro
2 Haydn : Symphony No.98 in B flat major : II Adagio cantabile
3 Haydn : Symphony No.98 in B flat major : III Menuetto - Allegro
4 Haydn : Symphony No.98 in B flat major : IV Finale - Presto
5 Haydn : Symphony No.99 in E flat major : II Adagio
6 Haydn : Symphony No.99 in E flat major : II Adagio
7 Haydn : Symphony No.99 in E flat major : III Menuetto - Allegretto
8 Haydn : Symphony No.99 in E flat major : IV Finale - Vivace

ディスク： 4

1 "Haydn : Symphony No.100 in G major, 'Military' : I Adagio - Allegro"
2 "Haydn : Symphony No.100 in G major, 'Military' : II Allegretto"
3 "Haydn : Symphony No.100 in G major, 'Military' : III Menuet - Moderato"
4 "Haydn : Symphony No.100 in G major, 'Military' : IV Finale - Presto"
5 "Haydn : Symphony No.101 in D major, 'The Clock' : I Adagio - Presto"
6 "Haydn : Symphony No.101 in D major, 'The Clock' : II Andante"
7 "Haydn : Symphony No.101 in D major, 'The Clock' : III Menuet - Allegretto"
8 "Haydn : Symphony No.101 in D major, 'The Clock' : IV Finale - Vivace"
9 Haydn : Symphony No.102 in B flat major : I Largo - Vivace
10 Haydn : Symphony No.102 in B flat major : II Adagio
11 Haydn : Symphony No.102 in B flat major : III Menuet - Allegro
12 Haydn : Symphony No.102 in B flat major : IV Finale - Presto

ディスク： 5

1 "Haydn : Symphony No.103 in E flat major, 'Drum Roll' : I Adagio - Allegro con spirito"
2 "Haydn : Symphony No.103 in E flat major, 'Drum Roll' : II Andante più tosto allegretto"
3 "Haydn : Symphony No.103 in E flat major, 'Drum Roll' : III Menuet"
4 "Haydn : Symphony No.103 in E flat major, 'Drum Roll' : IV Finale - Allegro con spirito"
5 "Haydn : Symphony No.104 in D major, 'London' : I Adagio - Allegro"
6 "Haydn : Symphony No.104 in D major, 'London' : II Andante"
7 "Haydn : Symphony No.104 in D major, 'London' : III Menuetto - Allegretto"
8 "Haydn : Symphony No.104 in D major, 'London' : IV Finale - Spirituoso"

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 13.49 x 13.21 x 2.21 cm; 185.97 g
  • メーカー ‏ : ‎ Warner Classics
  • EAN ‏ : ‎ 0825646961221
  • 商品モデル番号 ‏ : ‎ WA-15110732
  • SPARSコード ‏ : ‎ DDD
  • レーベル ‏ : ‎ Warner Classics
  • ASIN ‏ : ‎ B001AMG7I6
  • ディスク枚数 ‏ : ‎ 5
  • カスタマーレビュー:
    5つ星のうち4.6 31

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上位レビュー、対象国： 日本

ブラック・ショートショート
5つ星のうち5.0 アーノンクール最高！
2017年10月7日に日本でレビュー済み
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アーノンクールは真剣にハイドンと対峙している。
ザロモンセットが素晴らしい。
68番も素晴らしい。
1人のお客様がこれが役に立ったと考えています
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すべてのレビューを日本語に翻訳
JAC
5つ星のうち5.0 Great Performances in Superb Sound
2018年1月27日にアメリカ合衆国でレビュー済み
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To my ear Nicholas Harnoncourt and the Royal Concertgebouw Orchestra provide marvelous performances of these Haydn “London” Symphonies (plus Symphony No. 68). The sound quality of the CDs – in terms of instrumental detail and clarity – is superb. I thus give this set the highest recommendation, returning to most often when I want to listen to one of these symphonies. An additional attribute is this 5CD set is, as of December, 2017, available “new” for at very reasonable prices.

While I have never taken a formal music appreciation course in college or elsewhere and listen for sheer enjoyment, I have listened to classical music for decades and assembled a large classical CD collection consisting primarily of Baroque concerti, and Symphonies and Concertos from composers of the period extending from Haydn to Brahms. Based on my listening I am always perplexed to hear Nikolaus Harnoncourt characterized as “controversial.” Based on casual reading he seems to have had an extraordinarily broad career – playing the cello with the Vienna Philharmonic, then co-founding a historical instrument ensemble and later regularly conducting what are often characterized as the two greatest orchestras in the world – the Concertgebouw and the Berlin Philharmonic. My sense is he may be deemed “controversial” because he immerses himself in each work and then performs the work in a manner that shows he has given extensive thought to each note. To me, that is a desirable approach which distinguishes his performances from the more “plain-vanilla” – sometimes even “autopilot like” -- interpretations I sometimes hear with other performances. That is not to say I’m one who advocates drastically altering interpretations of “old warhorses,” “to give them new life” – one such example (in my opinion) being Glenn Gould’s performance of Brahms’ 1st Piano Concerto with Leonard Bernstein in the early 1960s. Harnoncourt, and I’m most familiar with his performances recorded with the Concertgebouw, provides rich and robust interpretations that give me a greater enjoyment of the music. Harnoncourt’s Schubert Symphony cycle with the Concertgebouw and the Mozart Symphonies I have with him conducting the Concertgebouw [25, 26 & 28; 34 & 35; 38-41] are, to my ear, the most enjoyable performances I’ve heard of those works. And, his performance of Mozart’s Posthorn Serenade with the Staatskapelle Dresden [Teldec 4509-92149-2] is thrilling and by far the most enjoyable I’ve heard.

Harnoncourt achieves a similarly high standard on this 5-CD set. His tempos on these symphonies seems to me to be about average – definitely not slow – but a tempo which allows listeners to appreciate how he interprets each note. I also have 6 of the 8 Volumes (on Nimbus) Adam Fischer and the Austro-Hungarian Orchestra released containing the complete Haydn Symphony cycle including Volume 8 which includes the “London Symphonies” (nos. 93-104). My understanding is that Fischer series is now available on the Brilliant Classics label, Nimbus having gone out of business. While Fischer’s performances are enjoyable – and other Volumes are particularly worthwhile [especially Volume 3 (Nos. 40-54) and Volume 4 (Nos. 55-69)] – his London Symphony performances suffer in comparison to Harnoncourt’s. For starters, the sound quality on the Harnoncourt/Concertgebouw set is consistently superb while the sound quality on the Fischer CDs is more variable. And, to my ear, Harnoncourt’s performances provide a fuller development of each symphony. Of the “London Symphonies” my favorites are 103 and 104 and, to my ear, Harnoncourt provides a richer and more detailed interpretation of both of those works than Fischer. While a minor detail in assessing an entire performance, it is notable that Harnoncourt’s performance opens with an extremely pronounced and arguably elongated drumroll. What followed, however, is, to me, far more important and was the most vibrant performance of the 103rd Symphony I’ve heard. Regarding Symphony 103 there is one other version I have which I often return to and would recommend to listeners wanting an additional extremely enjoyable performance of the 103rd – Jane Glover conducting the Royal Philharmonic Orchestra on an SACD.

Finally, it seems the “London Symphonies” are Haydn’s best known symphonies. In my opinion, however, his most enjoyable symphonies are his 60th and 48th. Listeners may want to sample those. To that end I’d recommend, for the 48th, John Maksymiuk conducting the Polish Chamber Orchestra on a 2-CD EMI Classics CD – 7243-5-69767. Maksymiuk’s performance of the 48th, which I believe includes all the repeats, is extraordinarily vibrant and that 2-CD set comes with Symphonies 44-47 and 49. The sound on that 2-CD set is also excellent. For the 60th I’d recommend either of the following two SACDs: (i) Haydn: Three Theatrical Symphonies – Nos. 50, 12 and 60, Haydn Sinfonietta Wien – Manfred Huss [BIS-SACD-1815]; (ii) Haydn Symphony No. 60 and Haydn Cello Concertos Nos. 1 and 2, Combattimento Consort Amsterdam – Jan Willem de Vriend, Quirine Viersen-Violincello [Etcetera KTC 5251].
9人のお客様がこれが役に立ったと考えています
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Lance Edwards
5つ星のうち5.0 Reserve judgement?
2018年4月29日に英国でレビュー済み
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I am familiar with the Colin Davis recording and wanted something a little more exciting (as opposed to genial) and more recently recorded. At the price this seemed a good buy though was a little worried by the reported eccentricities of the conductor. Harnoncourt's interpretations seem very like those of Davis overall and the warm but clear big band recording sounds not unlike that of Davis (same orchestra), though perhaps a little improved. Overall a good investment and I shall enjoy comparing them both side by side. Harnoncourt does seem a little more severe perhaps, but the quality of the orchestral response is equally good. These late works seem to suit a larger less HIP band, though I suspect the ultimate modern recording has still to be made, or can exist only in my imagination. I might have tried the Bruggen if it had still been available at a reasonable price.
Having now listened to all of the London symphonies I have to say I prefer Harnoncourt's exciting performances to Davis's slightly staid ones. The drumroll at the beginning of 103 is oddly interpreted, but otherwise everything is fine and free of eccentricity. In the second movement of 100 one can actually hear the kitchen sink department, wheras in Davis's performance it is all but inaudible. Perhaps 104 goes a little over the top, but better excitement than mere comfort. The minuets are a little quicker than Davis, but most are marked Allegro so why not? I wish i had heard this set before. If you are considering it, go for it!
8人のお客様がこれが役に立ったと考えています
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Boncas
5つ星のうち5.0 Eine Referenzaufnahme der späten Haydn-Sinfonien!
2018年6月3日にドイツでレビュー済み
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Die »Londoner Sinfonien« waren zu ihrer Zeit äußerst erfolgreich – und das vollkommen zu Recht. Beethoven hat aber schon bald neue Maßstäbe gesetzt, welche die Sinfoniker der Romantik in neue Höhen und Weiten getrieben haben. Der Erfinder der klassischen Sinfonie ist dadurch etwas ins Hintertreffen geraten. Aber lebendig und historisch informiert in Szene gesetzt, vermögen diese Werke auch heute zu beeindrucken.
Nikolaus Harnoncourt und das Royal Concertgebouw Orchestra spielen sehr lebendig und detailreich. Die Klangwiedergabe ist sehr transparent und auch in der Tiefe gut gestaffelt. Referenzaufnahme!
1人のお客様がこれが役に立ったと考えています
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jopromi
5つ星のうち2.0 Enttäuschung
2023年9月30日にドイツでレビュー済み
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Für mich eine Enttäuschung. Langweilige Interpretation - vielleicht weil aus den späten 1980ern. Kein Vergleich mit Minkowskis Haydn-Einspielung oder mit Antoninis Haydn.
Ich empfehle die Aufnahme bestenfalls Harnoncourt-Fans. Haydn-Fans empfehle ich Antoninis Haydn 2032!
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wej foxall
5つ星のうち5.0 Great Haydn
2019年9月16日に英国でレビュー済み
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The orchestra is the wonderful Concertgebouw of Amsterdam and the conductor Nicholas Harnoncourt. He is a very musical and non conforming man and in these superb symphonies takes swift tempos and gets crisp execution from what is a large orchestra for these works. Some might raise their eyes at the, mostly, fast minuets and the often addition of a beat in the bar and , at least once, seemingly ignoring a two bar general pause, but these performances are never dull and several times gave me food for thought.
1人のお客様がこれが役に立ったと考えています
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