Violinist Lisa Batiashvili has developed a highly successful career, both as a soloist appearing with the world's leading orchestras and as a chamber player performing in duos or larger groups. A critically lauded recording artist, her vast repertory encompasses works from J.S. Bach and Beethoven to Prokofiev and Shostakovich and more. Batiashvili has given the world premieres of several important works, including the Magnus Lindberg Violin Concerto, written specifically for her, which she recorded to great acclaim. Batiashvili has appeared with major orchestras from around the world and with such artists as pianists Hélène Grimaud and Till Fellner, violinists Christian Tetzlaff and Isabelle Faust, cellist Adrian Brendel, and oboist François Leleux, who is also her husband.

Lisa (Elizabeth) Batiashvili was born in Tbilisi, Georgia, in 1979. Her father was a violinist and her mother a pianist. Before age three, Batiashvili was playing a miniature violin. She also studied piano in her childhood. From age eight, she studied music at a Tbilisi music school for gifted children. Amid the dissolution of the Soviet Union, her family immigrated to Munich, Germany, when she was 11. Batiashvili studied music at the Hamburg Musikhochschule with Mark Lubotsky and at the Munich Musikhochschule with Ana Chumachenco. At 16, Batiashvili captured second prize at the Helsinki-based Sibelius Competition. From 1999 to 2001, she was a BBC New Generation Artist, debuting at the 2000 BBC Proms. In 2001, Batiashvili appeared in the recorded premiere of the Olli Mustonen Concerto for three violins, with fellow violinists Jaakko Kuusisto and Pekka Kuusisto, on the Ondine label. Over the next few years, her career blossomed with major concert dates across Europe and the U.S. In August 2006, she premiered the Lindberg Concerto at Avery Fisher Hall, with the Mostly Mozart Festival Orchestra, Louis Langrée conducting.

Batiashvili has recorded for several labels, including EMI, Deutsche Grammophon, Sony, and EuroArts. She signed a recording contract with Sony in 2007 and went on to record the Beethoven Violin Concerto and a disc of works by Mozart and Britten for that label. In 2008, Batiashvili gave the premiere in London of the Kancheli double concerto Broken Chant, for violin, oboe, and orchestra, with Leleux and the BBC Symphony Orchestra. Her later recordings have included the 2011 Echoes of Time, a Deutsche Grammophon release that includes works by Shostakovich, Kancheli, Rachmaninov, and Pärt. She recorded an album of chamber music by Harrison Birtwistle for ECM in 2013, with a group that included cellist Adrian Brendel. Her other recordings in the 2010s, favoring quality over quantity, have featured careful readings of major repertory items: she recorded the Brahms Violin Concerto in D major, Op. 77, with the Staatskapelle Dresden (of which she was "Kapell-Virtuosin") in 2014, and 2017 saw a Deutsche Grammophon release of the Sibelius and Tchaikovsky violin concertos with the old lion Daniel Barenboim at the helm of the Berlin Staatskapelle. In 2020, Batiashvili released the album City Lights, featuring music representing important cities from her life.

She has received several major awards in her career, including an Opus Klassik, Choc de l’année, and MIDEM Classical. Musical America named her Instrumentalist of the Year in 2015. ~ Robert Cummings & James Manheim

Internationally known for his romantic music and his melodic gifts, Peter Tchaikovsky is sometimes regarded as the greatest Russian composer. His most noted works include Nutcracker Suite, Swan Lake and Symphony No. 4. Most of his compositions center around opera and theater.

Peter Tchaikovsky was born at Votkinsk to an inspector of mines and a half-French mother. As a child, Tchaikovsky was regarded as sensitive and as having morbid tendencies. (His morbid behavior only augmented after his mother died in 1854.) In 1852, he entered the School of Jurisprudence and became a clerk in the Ministry of Justice.

His musical career began at the age of 14 when he wrote his first composition. About 10 years later, Tchaikovsky studied harmony with Nikolay Zaremba, and in 1862, he entered the St. Petersburg Conservatory and dedicated all his time to music. During his enrollment at the Conservatory, he studied orchestration with Anton Rubinstein and composed several overtures including one for the popular Alexander Ostrovsky's Storm. After studying at the Conservatory for four years, Tchaikovsky left to become a professor of harmony at a Conservatory in Moscow.

At the Moscow Conservatory, Tchaikovsky produced his first symphony, Winter Daydreams, and his first opera, The Voyevoda. Romeo and Juliet, one of Peter Tchaikovsky's most popular operas was at first a failure and did not achieve success until after several revisions were made in 1870 and 1880. During the 1870s Peter Tchaikovsky's musical genius began to shine. He produced his Second and Third Symphony, three string quartets, the Piano Concerto No. 1 in B-flat Minor, the Rococo Variations for Cello and Orchestra and two more operas, The Oprichnik and Vakula the Smith.

In 1877, Tchaikovsky befriended a wealthy widow who adored his music and supported him financially, but never wanted to meet him. With her financial support (which ceased in 1890), he quit his job at the Conservatory and devoted all his time to his compositions. Also in 1877, however, his personal life took a dramatic turn. His homosexuality causing him feelings of guilt, he decided to marry a 28-year-old former student of the Conservatory just to quiet rumors. While married Tchaikovsky attempted suicide, and the marriage ended when Tchaikovsky fled to St. Petersburg. (His wife died in 1917, after spending more than 20 years in an insane asylum.)

Between 1877 and 1890, Tchaikovsky devoted his time to composing all varieties of music including concertos, symphonies and operas. He produced three operas, The Maid of Orleans, Mazeppa and The Sorceress, as well as the Violin Concerto in D Major, the Piano Concerto No. 2 in G Major and the Piano Trio in memory of Nicholas Rubenstein. Besides composing and adding to his many compositions, Tchaikovsky began touring as a conductor in 1888, with tours to Leipzig, Hamburg, Berlin, Prague, Paris and London. He orchestrated one of his most popular ballets, Sleeping Beauty, in 1889 and The Queen of Spades in 1890.

In 1891 Tchaikovsky made his first and last trip to the United States, performing in New York, Baltimore and Philadelphia. Realizing that he was more famous in Russia, he returned there to work on the ballad Voyevoda, the opera Iolanta and the famous ballet Nutcracker. He began composing his Sixth Symphony in B minor in early 1893. After a brief interruption to accept an honorary doctorate from the University of Cambridge, Tchaikovsky finished the Sixth Symphony in August and debuted in mid-October. After moderate success, he thought of renaming the symphony 'Pathetique.' Coincidentally, five days after the performance he became ill with cholera and died on November sixth in St. Petersburg.

Prime examples of wonderful and enlightening compositions, Peter Tchaikovsky's work became internationally famous because of its style and genius. He will always be regarded as one of the great composers. ~ Kim Summers

The Staatskapelle Berlin, or Berlin State Orchestra, has an extraordinarily long history the reflects much of the central European history of music in its relationship to the state. Since the ascension of international superstar conductor Daniel Barenboim to the podium in 1992, the group has emerged as a major force on the international concert and recording scene. Several dates may be given for the founding of what became the Staatskapelle Berlin, but it took shape in the middle and late 16th century as the court of the Elector of Brandenburg developed new musical ensembles and began to forge close ties with the Prussian monarchy. In 1701 it became the Royal Prussian Court Orchestra, and as such attracted top musicians including Carl Philipp Emanuel Bach and Johann Joachim Quantz. In 1783 the orchestra gave one of the first modern symphonic concerts, independently of the court, at the Hotel Paris, and through the 19th century it was a giant of European musical life, with conductors including Spontini, Meyerbeer, and, from 1899 to 1913, Richard Strauss. For all of this period, and down to the present day, the orchestra also served as the house orchestra of the Royal Court Opera, established in 1742 by Frederick the Great and in modern times renamed the Berlin State Opera. The same conductor serves as Staatskapellmeister or state music director of both ensembles. During World War II, Herbert von Karajan served as music director. After the war, due to its location in East Berlin, the orchestra came under the control of what would become East Germany. It maintained some connections with the non-Communist West; its conductor from 1964 to 1990 was the Austrian Otmar Suitner, who was able to travel fairly freely between East and West. After German reunification, Daniel Barenboim became the orchestra's first non-German conductor in modern times and has been successful in bringing the orchestra's international profile to a new level. The orchestra made its first appearance at the BBC Proms in 2013 (in a cycle of Wagner's Ring operas), and in 2017 performed a complete cycle of Bruckner's symphonies at Carnegie Hall in New York (the first-ever such cycle mounted in the U.S.). The orchestra has recorded prolifically for Deutsche Grammophon, Decca, Teldec, Denon, Berlin Classics, and Warner Classics, among other labels, releasing a set of Brahms' four symphonies with Barenboim conducting in 2018. ~ James Manheim

Finland's Jean Sibelius is perhaps the most important composer associated with nationalism in music and one of the most influential in the development of the symphony and symphonic poem.

Sibelius was born in southern Finland, the second of three children. His physician father left the family bankrupt, owing to his financial extravagance, a trait that, along with heavy drinking, he would pass on to Jean. Jean showed talent on the violin and at age nine composed his first work for it, Rain Drops. In 1885 Sibelius entered the University of Helsinki to study law, but after only a year found himself drawn back to music. He took up composition studies with Martin Wegelius and violin with Mitrofan Wasiliev, then Hermann Csillag. During this time he also became a close friend of Busoni. Though Sibelius auditioned for the Vienna Philharmonic Orchestra, he would come to realize he was not suited to a career as a violinist.

In 1889 Sibelius traveled to Berlin to study counterpoint with Albert Becker, where he also was exposed to new music, particularly that of Richard Strauss. In Vienna he studied with Karl Goldmark and then Robert Fuchs, the latter said to be his most effective teacher. Now Sibelius began pondering the composition of the Kullervo symphonic poem, based on the Kalevala legends. Sibelius returned to Finland, taught music, and in June 1892, married Aino Järnefelt, daughter of General Alexander Järnefelt, head of one of the most influential families in Finland. The premiere of Kullervo in April 1893 created a veritable sensation, Sibelius thereafter being looked upon as the foremost Finnish composer. The Lemminkäinen suite, begun in 1895 and premiered on April 13, 1896, has come to be regarded as the most important music by Sibelius up to that time.

In 1897 the Finnish Senate voted to pay Sibelius a short-term pension, which some years later became a lifetime conferral. The honor was in lieu of his loss of an important professorship in composition at the music school, the position going to Robert Kajanus. The year 1899 saw the premiere of Sibelius' First Symphony, which was a tremendous success, to be sure, but not quite of the magnitude of that of Finlandia (1899; rev. 1900).

In the next decade Sibelius would become an international figure in the concert world. Kajanus introduced several of the composer's works abroad; Sibelius himself was invited to Heidelberg and Berlin to conduct his music. In March 1901, the Second Symphony was received as a statement of independence for Finland, although Sibelius always discouraged attaching programmatic ideas to his music. His only concerto, for violin, came in 1903. The next year Sibelius built a villa outside of Helsinki, named "Ainola" after his wife, where he would live for his remaining 53 years. After a 1908 operation to remove a throat tumor, Sibelius was implored to abstain from alcohol and tobacco, a sanction he followed until 1915. It is generally believed that the darkening of mood in his music during these years owes something to the health crisis.

Sibelius made frequent trips to England, having visited first in 1905 at the urging of Granville Bantock. In 1914 he traveled to Norfolk, CT, where he conducted his newest work The Oceanides. Sibelius spent the war years in Finland working on his Fifth Symphony. Sibelius traveled to England for the last time in 1921. Three years later he completed his Seventh Symphony, and his last work was the incidental music for The Tempest (1925). For his last 30 years Sibelius lived a mostly quiet life, working only on revisions and being generally regarded as the greatest living composer of symphonies. In 1955 his 90th birthday was widely celebrated throughout the world with many performances of his music. Sibelius died of a cerebral hemorrhage in 1957. ~ Robert Cummings

Daniel Barenboim is a conductor and pianist of top international stature, known for an extraordinarily large orchestral and operatic repertoire. He is the general music director and chief conductor for life of the Staatsoper Berlin in Germany.

Barenboim was born in Buenos Aires on November 15, 1942, into a family of Ukrainian Jewish descent. His mother was his first piano teacher. He later studied with his father, Enrique Barenboim, who was an eminent music professor. After playing for the noted violinist Adolf Busch, who was impressed by his talent, Daniel made his debut recital at the age of seven. In 1951, he played at the Mozarteum in Salzburg and observed Igor Markevitch's conducting class. The family moved to Israel in 1952; two years later, Barenboim went back to Salzburg for a conducting course with Markevitch, piano studies with Edwin Fischer, and chamber music performance with Enrico Mainardi. He studied conducting with Carlo Zecchi at the Accademia Musicale Chigiana in Siena, also attending Nadia Boulanger's music theory and composition class at Fontainebleau. His U.S. debut was at New York's Carnegie Hall on January 20, 1957, in Prokofiev's Piano Concerto No. 1, with Leopold Stokowski conducting the Symphony of the Air.

Debuts with leading orchestras included the London Symphony Orchestra (New York, 1968), Berlin Philharmonic (1969), and New York Philharmonic (1970). In 1967, Barenboim married the brilliant cellist Jacqueline Du Pré, with whom he made several exceptional recital recordings. Unfortunately, this partnership ended when Du Pré contracted multiple sclerosis, which forced her to end her playing career in 1972. She died in 1987. Barenboim began a long association with the Deutsche Grammophon label in 1972, and the following year, issued a recording of Bruckner's Symphony No. 4 in E flat major ("Romantic") with the Chicago Symphony Orchestra. He has maintained long relationships with both that orchestra and with Bruckner's music. In 1982, Barenboim issued an album of music by Ravel with the Orchestre de Paris. He has guest conducted virtually all of the world's leading orchestras.

In 1989, he was named Sir Georg Solti's successor as music director of the Chicago Symphony Orchestra. Barenboim became music director of the Staatsoper Berlin in 1992, then was named chief conductor for life by its orchestra in 2002. In 1999, along with Palestinian-American scholar Edward Said, Barenboim co-founded the West-Eastern Divan Orchestra, a summer youth orchestra designed to foster understanding and cooperation, and he established the Barenboim-Said Academy in Berlin. Devoted to the training of young Arab and Israeli musicians, the school opened in 2016. A recording of Beethoven's Symphony No. 9 by the West-Eastern Divan Orchestra appeared in 2013, and the group has spawned several young musicians with international careers, sometimes performing and recording with Barenboim.

Barenboim has a rich recorded repertoire as a conductor, pianist, accompanist, and chamber music player. Interestingly, as a pianist he tends to focus on Mozart, Beethoven, and the early Romantics, while as a conductor he favors later Romantic music, particularly Brahms and Bruckner (he has won a medal from the Bruckner Society of America). Barenboim's recorded output continued to be abundant through his ninth decade, including not only standard repertory but such novelties as On My New Piano (2016), an album devoted to the capabilities of an instrument custom-made for Barenboim by builder Chris Maene and based on a piano owned by Liszt. As a conductor, he continued to undertake lengthy, difficult scores by the likes of Bruckner and Mahler. His 2017 recording of Elgar's The Dream of Gerontius with the Staatskapelle Berlin was critically acclaimed. He has often issued more than a dozen recordings in the course of a single year, and by 2022, his recorded output included well over 500 releases. Early that year, he already had three albums on the docket for release: an album of Mozart and Strauss oboe concertos with the West-Eastern Divan Orchestra and oboist Cristina Gómez Godoy, an album of piano encores, and the annual Vienna Philharmonic New Year's Concert, which he has conducted multiple times. However, in early 2023, Barenboim stepped down from the Staatsoper, as his health prevented him from carrying out his duties to their fullest. ~ Joseph Stevenson & James Manheim