Hélène Grimaud is a French-born virtuoso pianist known for her fearlessly individual interpretations of standard and lesser-known piano repertoire. Also a devoted wildlife conservationist, in 1999 she founded the Wolf Conservation Center in South Salem, New York.

Grimaud was born in Aix-en-Provence in 1969, and both of her parents worked as teachers. She began exploring the piano when she was seven years old, and she studied with Jacqueline Courtin. Later, she studied with Pierre Barbizet in Marseille, and when she was 13, she was accepted into the Paris Conservatory, where she studied with Jacques Rouvier. After three years at the conservatory, Grimaud won the premier prix in piano performance. She sought further refinement at the conservatory and enrolled in the cycle de perfectionnement under Rouvier; she also received instruction from György Sándor and Leon Fleisher. The following year, she released her debut recording of Rachmaninov's Sonata No. 2 and Etudes-tableaux op. 33, which won the Grand Prix du Disque in 1986.

Grimaud began performing outside of the conservatory shortly thereafter and gave her debut recital in Tokyo in 1987. She was invited by Daniel Barenboim to perform with the Orchestre de Paris later that year, and she continued to receive invitations to perform with major orchestras throughout the world. In the 1990s, she released several recordings, including Rachmaninov: Piano Concerto No. 2; Ravel: Piano Concerto in G major and the live album Brahms: Piano Concerto No. 1, Op. 15. She made her debut with the Berliner Philharmoniker and Claudio Abaddo in 1995, and in 1999 she performed with Kurt Masur and the New York Philharmonic for the first time. She also created the Wolf Conservation Center that year.

In 2002 Grimaud became an exclusive Deutsche Grammophon artist, and she was honored with membership to the Ordre des Arts et des Lettres. It was also around this time that she began an additional career as an author, and in 2003 she published her autobiography, Variations Sauvages, followed by Leçons particulières in 2005, and Retour à Salem in 2013. Also in 2013, she received an Echo Klassik Award for her collaboration with cellist Sol Gabetta on the album Duo. In 2018 Grimaud released the album Memory, which featured the music of Chopin, Debussy, and others. During the 2019-2020 season, she performed at Carnegie Hall with the Philadelphia Orchestra, led by Yannick Nezet-Seguin; she appeared in Luxembourg and Munich with MusicAeterna and Teodor Currentzis; and she toured Germany with the Bamberger Symphoniker and Jakub Hrusa. Additionally, she performed material from her album Memory throughout the U.S., while also devoting her time to the Wolf Conservation Center. With a focus on the music of Valentin Silvestrov, she issued the solo album Hélène Grimaud plays Valentin Silvestrov in 2022, and the 2023 release Silvestrov: Silent Songs featured a collaboration with baritone Konstantin Krimmel. ~ RJ Lambert

Since its inception in 1842, the Wiener Philharmoniker (or Vienna Philharmonic Orchestra in English) has represented the best in the Central European orchestral tradition. Before the Wiener Philharmoniker was founded, there was no permanent, professional orchestra to be found outside the opera halls in the city of Mozart, Haydn, and Beethoven. The Wiener Philharmoniker is one of the most traditional orchestras in the world today, with much-beloved traditions, like the annual New Year's concerts of waltzes by the Strauss family.

In 1833, Franz Lachner, conductor at the Hofoper, had formed a musicians' association from the ranks of the opera orchestras to play symphonic music, but this was a temporary endeavor. Nine years later, a group of music critics and other interested parties persuaded Otto Nicolai, principal conductor of the Kärntertortheater, to conduct the first Wiener Philharmoniker concert at the Grosser Redoutensaal (Great Ballroom) on March 28, 1842. The group was founded as the first completely self-governing orchestra, and it has remained so ever since. Although concerts were irregular until 1860, the orchestra quickly built up a reputation. From 1860 to 1875, Otto Dessoff was the permanent conductor, bringing the music of Brahms, Wagner, and Liszt into the concert halls. Hans Richter succeeded Dessoff and conducted the orchestra until 1898, introducing Bruckner and Dvorák to Viennese audiences. Both of these conductors played major roles in establishing the Wiener Philharmoniker as one of the finest orchestras in the world. During this time, the Wiener Philharmoniker had numerous premieres of now-classic works such as Brahms' Second Symphony and Bruckner's Eighth; sometimes, as in the case of Bruckner's Third, the premiere was conducted by the composer himself. The great Gustav Mahler conducted from 1898 to 1901, but his tenure was marked by dissension within the orchestra.

The longest-term conductor of the post-Mahler era was Felix Weingartner, from 1908 to 1927. He was beloved by the orchestra for his measured, classical style and, in particular, for his Beethoven interpretations. From 1933 to 1938, the revered conductors Bruno Walter and Wilhelm Furtwängler shared the subscription concerts; after Hitler's annexation of Austria in 1938, the Nazi Party dissolved the orchestra, but the decision was reversed after Furtwängler intervened. The Wiener Philharmoniker led an uneasy life during the war but afterward reclaimed its place in the world's orchestral pantheon. The list of conductors who have led Wiener Philharmoniker subscription concerts reads like an honor roll of maestros; Richard Strauss, Arturo Toscanini, Herbert von Karajan, and Leonard Bernstein have each taken turns at the podium.

The Wiener Philharmoniker has held an annual New Year's Day Concert of Strauss family works, particularly those of Johann II, since 1941 when Clemens Krauss began the tradition; the first of these concerts was actually held on New Year's Eve in 1939, after which the concert has occurred on New Year's Day. Riccardo Muti led the orchestra in its 80th New Year's concert in 2021, marking his sixth appearance in the series. While some of its traditions are revered, others have come under fire in recent years. Though the Wiener Philharmoniker premiered a lot of music in its early days, it now prefers to play mostly music written before 1900, which created a controversy at the Salzburg Festival during the 1990s. The orchestra also refused until 1997 to accept a female musician as a full member, threatening to disband rather than cave in to political pressure. The first woman member of the Wiener Philharmoniker was harpist Anna Lelkes, who was granted full membership after 26 years of service. Simone Young was the first woman to conduct the Wiener Philharmoniker in 2005, and in 2008, Albena Danailova became the orchestra's first female concertmaster. Historically, the Wiener Philharmoniker has opposed hiring musicians who are not Central European in order to preserve what is perceived as a unique quality of sound. While the orchestra's policies may be controversial, it cannot be disputed that the Wiener Philharmoniker is one of the world's finest orchestras, performing with exceptional finesse and clarity, with a beautifully blended woodwind and brass sound that meshes perfectly with its subtle, lush strings.

The Wiener Philharmoniker is celebrated on 24-carat gold bullion coins issued by the Austrian Mint. In 2006, the design of the coinage was featured by Austrian Airlines on its airplanes to promote both the orchestra and the sale of the coins, which are among the most popular with investors. ~ Andrew Lindemann Malone

Andris Nelsons has held major conducting posts on both the concert and operatic stages, and in each realm, has distinguished himself as an incisive interpreter of a broad range of music. Whether conducting Puccini at the Met, Wagner at Bayreuth, or Stravinsky with the City of Birmingham Symphony Orchestra, Nelsons has managed to win over both critics and the public alike. He is the music director of the Boston Symphony Orchestra and the Gewandhausorchester Leipzig. In 2022, Nelsons led the Gewandhausorchester Leipzig in the latest installment of their survey of Bruckner's symphonies on the Deutsche Grammophon label.

Nelsons was born in Riga, Latvia, on November 18, 1978. His parents and stepfather were musicians, and at an early age, Nelsons studied piano but took up the trumpet at 12. He later sang in his mother's early music ensemble and played trumpet in the Latvian National Opera Orchestra. After local studies, Nelsons began studying conducting at the St. Petersburg Conservatory with Alexander Titov. In 2002, he began studying privately with famed conductor Mariss Jansons. Nelsons' orchestral repertory includes large portions of Mozart, Mahler, and Shostakovich. His operatic repertory takes in much Wagner and Puccini, as well as Bizet, Tchaikovsky, and Richard Strauss.

Nelsons has conducted around the globe, including throughout Europe, the U.S., and Japan. He served as principal conductor of the Latvian National Opera from 2003-2007. In 2006, he took on a second important post, this one as chief conductor of the Nordwestdeutsche Philharmonie, a position he held until 2009. From 2007, Nelsons began making regular appearances in the U.K., and that September was named music director of the City of Birmingham Symphony Orchestra, beginning in the 2008-2009 season. He held this post until the conclusion of the 2014-2015 season. 2009 saw Nelsons' debut at the Met, leading a performance of Puccini's Turandot. The following year, Nelsons made his debut at the Bayreuth Festival with a production of Wagner's Lohengrin; this followed a concert performance given in Birmingham with the City of Birmingham Symphony. In 2011, a highly praised reading of Mahler's Ninth Symphony at Carnegie Hall with the Boston Symphony Orchestra marked two more important debuts for Nelsons; this was his first performance at Carnegie Hall and his first time leading the Boston Symphony. Nelsons was named the Boston Symphony's 15th music director in 2014, after several years of guest conducting. In 2018, Nelsons was named the 21st Gewandhauskapellmeister (music director) of the Gewandhausorchester Leipzig.

Nelsons has an exclusive recording contract with the Deutsche Grammophon label but has also recorded for Decca and Orfeo, among others. He has continued to receive acclaim for his recordings, especially those of his continuing surveys of the symphonies of Shostakovich, with the Boston Symphony, and Bruckner (which is paired with music by Wagner), with the Gewandhausorchester Leipzig. In 2020, Nelsons received contract extensions with both groups: the Boston Symphony until 2025 and the Gewandhausorchester Leipzig until 2027. Nelsons led the Gewandhausorchester Leipzig on a recording of Bruckner's first and fifth symphonies with Wagner's Prelude and Liebestod from Tristan and Isolde in 2022. ~ Robert Cummings & Keith Finke