Pianist Louis Lortie achieved international recognition by his mid-twenties. His strong, sensitively crafted playing has served him well in a repertory of considerable breadth, with a concentration on composers from the late Classical period to the early 20th century.

Lortie was born in Montreal, Quebec, Canada, on April 27, 1959. After studying with Yvonne Hubert, he made his first professional public appearance as a soloist with the Montreal Symphony Orchestra when he was 13 years old. Wisely, he elected not to pursue a concert career immediately. After winning first prize in Canada's two premier competitions, the Canadian National Music Competition and the CBC National Competition, when he was 16, Lortie made what he considers his official debut with the Toronto Symphony in 1978 and joined the orchestra in a subsequent tour of Japan and the People's Republic of China. While in his early twenties, he moved to Baltimore to work with Leon Fleisher and expand his knowledge of piano literature.

In 1984, Lortie won first prize in the Busoni International Competition and was also a prizewinner at the Leeds Piano Competition. Following his exposure to European culture and the recognition resulting from his successes in competition, Lortie undertook a more extensive number of concert engagements and released his first recording in 1986. Within the first few years of an active career, Lortie performed throughout the U.S., Canada, and Europe. His engagements included dates with the Cleveland Orchestra, the San Francisco Symphony, the Houston Symphony, the Dallas Symphony, the St. Louis Symphony, the Los Angeles Philharmonic, the BBC Philharmonic, the Royal Scottish National Orchestra, the Deutsche Symphonie Orchester, and the Orchestre National de France. With the latter ensemble, he performed on tour. Lortie has performed for several summers with the Montréal Symphony in a program series devoted to a single composer. Complete cycles of the 32 Beethoven piano sonatas have been given throughout the world.

Few pianists have enjoyed such a long-term and mutually satisfying relationship with a recording company as that existing between Lortie and Chandos. Lortie has been allowed to preserve his interpretations of composers extending from Mozart to Ligeti. Among them is his collection of the complete piano works of Ravel, a set that has received several awards, the complete Beethoven piano sonatas, and the complete works for piano and orchestra by Liszt. His recordings of Chopin's Preludes and Etudes are also of particular interest. In 2020, Lortie released the second volume in his survey of Saint-Saëns works for piano and orchestra, with Edward Gardner and the BBC Philharmonic.

Lortie has taught at the piano institute at Imola, Italy, when his schedule has allowed, he is the co-founder and artistic director of the LacMus International Festival in Tremezzina, Italy, and he is a master in residence at the Queen Elisabeth Music Chapel in Brussels. Lortie was honored by being made an Officer of the Order of Canada, and he was made a Knight of the National Order of Quebec. ~ Erik Eriksson

The Orchestre Symphonique de Montréal (Montreal Symphony Orchestra) has established itself as one of the best orchestras in North America. Through the leadership of several world-class music directors, the OSM has toured across the world, accompanied soloists and opera productions, and received acclaim for many of its recordings.

The OSM was founded in 1934 as the Concerts symphoniques de Montréal (several Orchestre Symphonique de Montréal's were founded and failed in the late 19th to early 20th centuries). The CSM came to be through the financial support of Athanase David, the Secretary of the Province of Quebec. The orchestra's first music director was Wilfrid Pelletier, who began the CSM's community outreach with youth matinee concerts and the Festival de Montréal, which offered free concerts to the public until 1964. Désiré Defauw became the music director in 1940, and she began to draw in international soloists to perform with the orchestra. Defauw departed the CSM in 1952, and in 1953, the orchestra was renamed Orchestre Symphonique de Montréal. In 1957, Igor Markevitch became the music director, bringing with him an advancement of contemporary music and beginning the yearly commissioning of new works from Canadian composers. During Markevitch's tenure, the OSM became a fully professional orchestra.

Zubin Mehta was named the music director in 1961, and it was during his tenure that the orchestra became an international success. Mehta led the OSM on the first-ever European tour by a Canadian orchestra in 1962. In 1963, the orchestra opened a new residence, the Salle Wilfrid-Pelletier, in the Place des Arts. In this venue, the OSM performed its first opera production, Puccini's Tosca. Franz-Paul Decker succeeded Mehta in 1967 and continued the orchestra's touring activities, taking the OSM to Japan in 1970. Under Decker, the OSM began a series of pop concerts to reach a broader audience in Montreal. Rafael Frühbeck de Burgos served as the music director from 1975-1976, taking the orchestra to New York for its first performance at Carnegie Hall. Frühbeck de Burgos' tenure ended following public disagreements, for which he apologized in 2002.

With Frühbeck de Burgos' departure, the OSM performed under guest conductors. One of these, Charles Dutoit, was named the new music director in 1977, beginning a nearly 25-year partnership. Shortly after the appointment of Dutoit, the OSM signed with the Decca label. The orchestra's first recording with Decca, Ravel's Daphnis et Chloé, was an international success. Dutoit would lead the OSM on tours throughout North and South America, Europe, and Asia. Under Dutoit, the orchestra won two Grammy Awards, for Berlioz's Les Troyens in 1996 and, with Martha Argerich in 2000, for an album of Prokofiev and Bartòk piano concertos. In 2002, Dutoit stepped down following animosity with the musicians of the OSM; he returned for the first time as a guest conductor in 2016. Jacques Lacombe served as principal guest conductor from 2002-2006, leading the OSM in the interim period between the announcement of new music director Kent Nagano in 2003 and the beginning of his tenure in 2006. Under Nagano, the OSM resumed its international tours, opened the Maison Symphonique, and launched a webcast series. Nagano remained with the OSM until the close of the 2019-2020 season.

The Orchestre Symphonique de Montréal has recorded mainly on Decca and London, but also for EMI and Analekta, among others. The orchestra, conducted by Nagano, won the Diapason d'Or for its 2016 Decca release of Honegger & Ibert's opera L'Aiglon. The OSM issued two albums, both under Nagano, in 2019: an Analekta release of Chopin concertos with Charles Richard-Hamelin and The John Adams Album, on Decca. ~ Keith Finke

One of the world's foremost conductors, Charles Dutoit is especially noted for his performances of French, Russian, and 20th century music. Dutoit began his studies at the Lausanne Conservatory (violin, piano, and orchestral conducting), and later continued in Geneva. In 1958 he received his diploma in conducting and went to Alceo Galliera at the Accademia Musicale Chigiana in Siena. In 1959 he took additional training in orchestral conducting in Tanglewood. From 1957 to 1959 Dutoit worked as a violist in Europe and South America before returning to Switzerland to conduct. In 1959 he was appointed as a guest conductor of the Orchestre de la Suisse Romande and the Lausanne Chamber Orchestra. From 1964 to 1966 he worked as a conductor for Radio Zurich, and from 1965-1967 he conducted ballet at the Vienna Opera. He succeeded Paul Kletzki as the head of the Bern Symphony Orchestra (1968-1978). In addition to his work in Bern, he directed the National Symphony Orchestra of Mexico from 1973 to 1975, and the Symphony Orchestra of Göteborg from 1975 to 1978. In 1977 Dutoit obtained the major appointment of his career: music director of the Montreal Symphony Orchestra. He quickly elevated the Montreal to international acclaim. He notably improved the orchestra's scheduling of Classical-era works, particularly the symphonies of Haydn. He is also noted for the championing of new Canadian music. Dutoit has been the artistic director and principal conductor of the Philadelphia Orchestra's concert series at the Saratoga Performing Arts Center in Saratoga Springs, NY, and has also directed the orchestra's summer series at the Mann Music Center in Philadelphia. In 1990, Dutoit became music director of the Orchestre National de France. Since September 1996, he has been the principal conductor of the NHK Symphony Orchestra in Tokyo and as of September 1998, also their music director. In April 2002, Dutoit resigned his position with Montreal Symphony.

While in Montreal, Dutoit established an impressive legacy of recordings that won over 40 national and international awards including the Grand Prix du Président de la République (France), the High Fidelity International Record Critics' Award, the Amsterdam Edison Award, the Japan Record Academy Award, the German Music Critics' Award, as well as numerous Juno awards. Dutoit and the Montreal received their first Grammy Award in 1996 for Best Opera Recording of Berlioz's Les Troyens and more recently, a second Grammy for their 1999 recording of Prokofiev's Piano Concerto Nos. 1 and No. 3, and Bartók's Piano Concerto No. 3 with pianist Martha Argerich (Dutoit's former wife). The Montreal and Dutoit also recently won a Juno Award for their recording of Respighi's La Boutique Fantasque and Impressioni brasiliane.

Between 1981 and 2001, Dutoit and the Montreal undertook significant tours of Europe, the Far East, South America and the United States. Dutoit has conducted all the major orchestras of the world including those in Cleveland, Chicago, Los Angeles, the Israel Philharmonic Orchestra, the Berlin and Munich Philharmonics, and the Royal Concertgebouw Orchestra. Since his operatic debut at Covent Garden in 1983, he has conducted the Metropolitan Opera and at the Deutsche Oper in Berlin. Dutoit has received numerous awards and distinctions including honorary doctorates from McGill University, the Université de Montréal, and the Université Laval. In 1982 Dutoit was named Musician of the Year by the Canadian Music Council, and in 1988 he received the Canadian Music Council Medal in recognition of his contribution to music in Canada. Also in 1988, the French government made Dutoit an Officier de l'Ordre des Arts et des Lettres, and in 1996, he was promoted to Commandeur de l'Ordre des Arts et des Lettres. Since 2008, he has served as chief conductor and artistic adviser of the Philadelphia Orchestra, and since 2009, he has led the Royal Philharmonic Orchestra and the Verbier Festival Orchestra.