During his extensive conducting career spanning nearly five decades, Bryden 'Jack' Thomson was recognized as a leading interpreter of music from the British Isles. His legacy includes nearly fifty recordings made for the Chandos label, including pioneering recordings of both William Walton's Symphony No. 2 and the Complete Symphonies by Sir Arnold Bax.

Born in Ayr, Scotland in 1928, Thomson began his studies at the Royal Scottish Academy of Music in Glasgow. In an effort to further his education, he traveled to Germany and Austria; first to the Staatliche Hochschule für Musik in Hamburg, where he studied with Hans Schmidt-Isserstedt beginning in 1954, and later to the Salzburg Mozarteum where he worked with conducting virtuoso Igor Markevitch.

Upon his return to home in 1958, Thomson received his first major appointment with the BBC Scottish Symphony Orchestra, where he served as the assistant conductor to music director Ian Whyte. As fate would have it, Whyte became stricken with a terminal illness and was forced to delegate a number of performances to Thomson, who commanded great praise from musicians, audiences, and critics alike. Within months of these successful concerts, Thomson's guest conducting appearances grew more and more frequent, with orchestras both at home and abroad, including Canada, Scandinavia, and South Africa. He left the Scottish Symphony in 1962, in order to focus on his guest conducting. He was appointed as the associate conductor of the Scottish National Orchestra in 1966.

In 1968, only two years after his first major music director appointment, Thomson became the music director of the BBC Northern Symphony Orchestra in Manchester (since 1982 this orchestra has been known as the BBC Philharmonic). He also assumed the post of music director with the Ulster Orchestra in Belfast, Ireland, which he held until 1985.

From 1970 to 1988, Thomson recorded nearly fifty compact discs for Chandos records, most of which feature composers from the British Isles, although his notable affinity for Nielsen and Martinu spawned several fine recordings of works by these composers. In addition to his set of Bax symphonies, Thomson also recorded the Symphony cycles of Martinu, Elgar and Vaughan Williams, in addition to a number of works by lesser-known composers.

In 1988, Thomson returned to the (now Royal) Scottish National Orchestra, where he was invited to succeed Neeme Järvi as music director. Always active as a commissioner of new works, Thomson commissioned fellow Scottish composer John Maxwell Geddes for his Symphony No. 2. Unfortunately, Thomson died before the work could be completed. Once finished, Geddes added the subtitle 'In memoriam Bryden Thomson'.

In the decades since its founding, the Royal Scottish National Orchestra has earned a reputation as a distinguished ensemble with an extensive concert schedule, wide-ranging repertoire, and a significant representation on recordings. In 2021, the orchestra was heard on the album Xiaogang Ye: Winter, as well as a recording of Mozart Concertos, backing Francesca Dego.

The Royal Scottish National Orchestra is the direct descendant of the Scottish Orchestra, founded in Glasgow in 1891. Throughout its first 40 years, the Scottish Orchestra had a series of principal conductors, beginning with George Henschel from 1893 until 1895. In 1933, while the orchestra -- along with the rest of the world -- was facing financial difficulties, subscribers and patrons kept the ensemble afloat. That year, John Barbirolli assumed the post of principal conductor; since that time, the orchestra has been helmed by many well-known conductors, including George Szell, Walter Süsskind, and Alexander Gibson (the first Scot to lead the ensemble and the longest-tenured), among others. Under Süsskind's leadership, with the establishment of the Scottish National Orchestra Society with monies from several Scottish cities, the Scottish Orchestra became a permanent ensemble, changing its name to the Scottish National Orchestra in 1950.

During its early years, the orchestra played its Glasgow concerts in the acoustically wonderful St. Andrew's Hall. From the time the hall was destroyed by fire in 1962, the Scottish National Orchestra played in a series of venues of varying suitability. In 1977, during Gibson's tenure, Queen Elizabeth II granted the orchestra royal patronage; Gibson also earned his knighthood that year during the Queen's Silver Jubilee and Birthday Honours. The redesign of the Trinity Church on Claremont Street in 1979 gave the Scottish National Orchestra a new home: Henry Wood Hall. In 1991, the orchestra changed its name to the Royal Scottish National Orchestra, affirming its royal patronage. It was briefly named the Royal Scottish Orchestra but reverted to its present name in 1992.

While the orchestra boasts a wide-ranging repertoire, it has been singled out for its recordings of Bruckner, Barber, and 20th century British composers like Bax, MacMillan, and Holst. It has also earned a particular reputation for recorded performances of film scores, including a Gramophone Award in 1997 for its recording of Bernard Herrmann's score to Vertigo. In 2015, the orchestra moved to its current home, the RSNO Centre at the Glasgow Royal Concert Hall. Neeme Järvi (principal conductor from 1984 until 1988) is the orchestra's conductor laureate, and Alexander Lazarev (principal conductor from 1997 until 2005) is conductor emeritus. Following a six-year stint as principal guest conductor, the Royal Scottish National Orchestra appointed Thomas Søndergård its music director, effective in 2018. In 2021, the orchestra was heard on a collection of works by Xiaogang Ye on BIS and, under Roger Norrington, backed Francesca Dego on a Chandos recording of Mozart Concertos. ~ TiVo Staff

A fixture of the Hyperion label's Romantic Piano Concerto series, pianist Howard Shelley has also specialized in the music of Rachmaninov and in British music of the 20th century. He often conducts from the keyboard.

Shelley was born on March 3, 1950, in London. His early skills were prodigious; he made his debut at the age of ten on BBC television and graduated from the Royal College of Music in London at 21. In 1972, he made his debut at the Henry Wood Promenade Concerts, and he has been a frequent presence both there and on BBC broadcast outlets. Shelley's focus on Rachmaninov was most pronounced in the 1980s. He began a complete series of recordings of that composer's solo piano works on the Hyperion label in 1982, and the following year, he performed them all in a marathon over several days at Wigmore Hall in London. Shelley recorded Rachmaninov's four piano concertos for Chandos in 1989 & 1990. By that time, he had already begun conducting, both from the keyboard and, in non-keyboard works, from the podium. He was associate conductor and then principal guest conductor of the London Mozart Players in the early '90s. He also made guest appearances with top British orchestras, including the Philharmonia Orchestra and the London Symphony Orchestra. Later, Shelley performed a complete cycle of Beethoven's concertos with the BBC Philharmonic.

Shelley has recorded prolifically for Hyperion and Chandos, often issuing several albums in the course of a single year. He has recorded many works by post-Classical composers such as Johann Baptist Cramer and Muzio Clementi. That specialization grew into a major series of recordings for Hyperion under the auspices of its series "The Romantic Piano Concerto," which aimed at a large-scale excavation of forgotten 19th century works. On these recordings, Shelley often conducted the Tasmanian Symphony Orchestra from the keyboard. By 2022, the series had reached its 81st volume, with Shelley performing and conducting works by composer Alois (Aloys) Schmitt. A second Hyperion series, "The Classical Piano Concerto," launched in 2014 with Shelley again as pianist/conductor; by 2021, there were eight volumes, including one of works by Georg Benda that appeared that year. Shelley also embarked on a complete cycle of Mendelssohn's solo piano music, and his work appeared on a recording of Chopin's piano-and-orchestra music issued by the Fryderyk Chopin Institute in Warsaw.

Appointed Officer of the Order of the British Empire in 2009, Shelley is married to pianist Hilary Macnamara, with whom he has performed in duo piano music. The couple has a son, Alexander Shelley, who is a conductor, and Howard Shelley has performed under his baton. ~ James Manheim