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Symphonies No.1-5 -Sacd-

Mendelssohn-Bartholdy, F. (アーティスト) 形式: CD
5つ星のうち4.6 56
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商品の説明

ガーディナー＆LSOが2014年から2016年にかけてとりあげたメンデルスゾーンがボックスで登場。LSOにとってのメンデルスゾーン全集は、アバドの指揮によって1985年に完成したもの以来、じつに30年ぶりのプロジェクトでした。ガーディナーはウィーン・フィルと第5番（1996年）、第4番（1997年および1998年にセッション録音）を録音しておりますがこちらは全曲録音されていませんので、LSOにとっても、ガーディナーにとっても気合の入ったプロジェクトだったといえます。 交響曲第1番は、第3楽章でメンデルスゾーンが作曲した1824年当時のメヌエット、および1829年の「ロンドン版」に含まれたスケルツォという、ふたつの第3楽章を演奏。第2番は3楽章のシンフォニア（交響曲）と、続く9曲のカンタータ部分から成る、演奏時間約70分の大曲ですが、LSOの各セクションのアンサンブルの妙、理想的な独唱者布陣、そしてガーディナーの手兵モンテヴェルディ合唱団の巧さが際立った名演奏です。第3番は2014年1月に行われたライヴで、メンデルスゾーン交響曲全集録音シリーズの第1弾だったもの。第4番「イタリア」は、ガーディナーは、ウィーン・フィルと、1997年に現行版、そして98年には1833年版の第2楽章から第4楽章をセッション録音しましたが、今回は1833年版を採用しての演奏となっています。交響曲第5番は、ガーディナーが1996年にウィーン・フィルを指揮したライヴ録音盤から、18年ぶり2度目の録音ということになります。このほか、単売時に含まれていた序曲も収録。劇中音楽「真夏の夜の夢」も収録された充実のメンデルスゾーン・セットとなっております。

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 13.59 x 13.31 x 1.8 cm; 214.04 g
  • メーカー ‏ : ‎ Lso (London Symphony Orch
  • EAN ‏ : ‎ 0822231182627
  • 製造元リファレンス ‏ : ‎ 53699754
  • レーベル ‏ : ‎ Lso (London Symphony Orch
  • ASIN ‏ : ‎ B07FDVCMG3
  • 原産国 ‏ : ‎ アメリカ合衆国
  • ディスク枚数 ‏ : ‎ 5
  • カスタマーレビュー:
    5つ星のうち4.6 56

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5つ星のうち5.0 こんなん卑怯でしょ、ガ―ディナー&LSOのメンデルスゾーン交響曲全集、真夏の夜の夢込み、で￥2,400…
2018年12月28日に日本でレビュー済み
Amazonで購入
あくまでmp3ファイルで我慢できる方向けですが。今まで交響曲別にCDをリリースしていたのに、ここにきてBOX化。
それでmp3版はこの価格…

演奏水準については改めて申し上げるまでもありますまい。
いや、本当に良い意味で期待を裏切られました。

ガ―ディナーのロマン派の交響曲というと、シューマン交響曲全集もシューベルトの7,8番もどこかいまいちなところがあって、直ぐに聴かなくなってしまったのが多い(シューマンの楽園とぺリ、それからロマン派をすっ飛ばしてブリテンやエルガー、ワイル、ブーランジェなどは良かった)。主観的で申し訳ないがこの傾向は他の古楽系ないし若手指揮者にもあって、ヘレヴェッヘやダウスゴ―のシューマン交響曲全集もつまらなかった。彼らはかえって、古典・バロック以前を除くと、マーラーやブルックナー以後の音楽で本領を発揮する。

そしてこのガ―ディナーのメンデルスゾーン。まさに疾風怒濤である。ベートーヴェンの第九を初めて聞いた方はまず曲自体に驚くだろうが、その次に第九で驚くのはガ―ディナーの90年代のセンセーショナルな録音を聴いたときであろう(あるいは化石のようなフルトヴェングラーかクレンペラーか)。まさに火の玉。そんな印象が彼のメンデルスゾーンにもあって、スピーディーだが、怒涛のようなエネルギーに満ち満ちている。生命的とか、リズミックだとかそんな生ぬるいものじゃない、それらのもっと手前に、激しい衝動がある。

2番はなんでメンデルスゾーンはベートーヴェンでもあるまいしこんなダサい主題を書いたのかというくらい嫌いな曲なので置いておくが、3番も、クレンペラーの伝説的なライブ(終楽章カット部分アリの音源)と並んで、それと対照的でありながら、定番のマークような穏やかさの一切ない、とことんまで突き詰めた高速で迫力ある演奏をしている。4番も同様。スコットランドとイタリアで陰と陽ではあるが、そんな外-音楽的な事情はおかまいなし、憑りつかれたかのような熱烈なタクトを振っている。それでいてそこはイギリス人、下品さは一切なく、メンデルスゾーンの上品さは常に保たれている。

バラで買われていた方はご愁傷さまだが、このBOXは本当に素晴らしい。ガ―ディナーにはまだまだ頑張ってもらいたい。
1人のお客様がこれが役に立ったと考えています
役に立った
 レポート
JC
5つ星のうち2.0 Unappealing and Forgettable Performances Despite Reasonably Good SACD Sound
2020年5月16日に日本でレビュー済み
In my opinion this Mendelssohn Symphony cycle, which includes some Mendelssohn Overtures and a Midsummer Night’s Dream, offers reasonably good SACD sound with performances that are nothing special. Listeners who prefer minimal vibrato string playing may find these performances more appealing; that is a technique that is generally not to my taste.

This box set contains four hybrid SACD discs which can also be played on a regular CD player and a “Pure Audio Blue-Ray” disc.

I thought the weakest performance in the set was the 1st Symphony. My favorite Mendelssohn Symphony is the “5th” (Reformation) Symphony closely followed by the 3rd (Scottish) Symphony. I also enjoy and frequently listen to Mendelssohn’s 4th and 1st Symphonies. To my ear Gardiner’s 1st Symphony just never seems to come together. The most enjoyable 1st Symphony performance I’ve heard is Karajan’s 1972 performance with the Berlin Philharmonic. Dohnanyi’s performance with the Vienna Philharmonic, while lighter in mood, is also very enjoyable.

I do enjoy having the 1824 original version and 1829 “London version” of the 1st Symphony’s third movement but that does not save what I found to be an overall poor performance.

Few listeners, however, will select a Mendelssohn Symphony cycle base on his 1st Symphony which is probably his least popular symphony. Mendelssohn’s most popular symphonies are his 3rd (“Scottish”) and 4th (“Italian”) Symphonies. The competition in those symphonies is extreme and Gardner’s performance of the 4th is one of the least appealing I’ve heard. Szell with the Cleveland Orchestra and Klemperer with the Philharmonia Orchestra are just two performances that come to mind which are far more enjoyable. For listeners who enjoy minimal to no vibrato strings more than me I’d recommend Jan Willem de Vriend’s SACD performance with the Netherlands Symphony Orchestra on a Challenge SACD. While the sound on these LSO Live Gardiner performances is one of the better LSO productions I’ve heard, in my experience Challenge Classics present much better SACD sound than LSO Live and the sound on the disc with de Vriend’s performance of the 4th (which also comes with the 5th) is much better than the sound on this Gardiner set.

In a relative sense Gardiner’s performance of the 3rd Symphony fares better but, to my ear there are many other performance which are more enjoyable including: Peter Maag with both the London Symphony Orchestra and later with the Madrid Symphony Orchestra, Bernard Haitink with the London Philharmonic Orchestra, Leonard Bernstein with the New York Philharmonic, Karajan with the Berlin Philharmonic and Dohnanyi with the Vienna Philharmonic. After buying a SACD player Gardiner’s LSO SACD with the 3rd Symphony, the Hebrides Overture and Schumann’s Piano Concerto with Maria Pires was one of my first Mendelssohn SACD purchases. I was initially pleased with the sound and performances on that SACD which is why I ultimately bought this box set. In my experience, however, those performances do not wear well as I rarely return to them. Also, for those liking minimal to no vibrato strings I recommend de Vriend’s performance of the 3rd Symphony; it comes on an SACD with the 1st Symphony and is superior to Gardiner’s performance.

I enjoy the Reformation Symphony so much that I can enjoy Gardiner’s performance – but – and this is the key – nowhere near as much as the performance by Karajan and the Berlin Philharmonic, Bernard Haitink and the London Philharmonic, Leonard Bernstein and the New York Philharmonic, and Dohnanyi with the Vienna Philharmonic. The most enjoyable Reformation Symphony performance I’ve heard is Karajan’s 1972 performance with the Berlin Philharmonic. Some time back I read an article that argued characterizing the Reformation Symphony as a celebration of the Augsburg Confession is misleading and it should instead be viewed as a commemoration of an event in a period of intense struggle. I tend to agree with that view and think the Reformation Symphony is best performed as a majestic, solemn work – and Karajan does that, in my opinion, perfectly.

The performance of the overtures are serviceable – but far better are available. As for the A Midsummer Night’s Dream, that is a work I rarely listen to and nothing about Gardiner’s performance will motivate me to change that.

The other reviewer who seems underwhelmed by this Gardiner Symphony cycle notes that for listeners who are looking for a set of Mendelssohn’s more popular works at a reasonable price this box set is not bad. I tend to disagree and offer a slightly different view. While the price is very reasonable, and to my ear the sound is reasonably good, listeners who buy this set to sample Mendelssohn’s more popular works will be getting, in my opinion, unappealing, uninspired performances of extremely enjoyable works from a great composer. I’d thus recommend three Mendelssohn Symphony cycles:

1. Christoph von Dohnanyi with the Vienna Philharmonic [ASIN: B003Y3MYWC]

- This 4-CD box set is reasonably priced, comes with the 5 Symphonies, three overtures and “Die Erste Walpurgisnacht.”
- These are Decca CDs and as so often the case with Decca CDs, the sound is superb [assuming one likes crystal-clear, transparent sound].

2. Herbert von Karajan with the Berlin Philharmonic [ASIN: B001DCQI9G – but there have been multiple releases of this cycle].

- Deutsche Grammophon (DG) Karajan discs often seem to lack, to my ear, the clarity I typically find with Decca CDs. However, the sound quality on these performances from the early 1970s are some of the better Karajan DG CDs I’ve heard.
- Karajan performs the Symphonies with gravitas which I find particularly enjoyable. I will add that while I have many Karajan CDs and consider him one of the great conductors of his era, I also thought he was overrated to the extent many considered him, with Carlos Kleiber, to be the top conductor of his era. Each conductor’s performance needs to be evaluated on its own and, in my opinion, Karajan, overall for orchestral works, was by no means consistently superior to Klemperer, Szell, Bruno Walter, Karl Bohm, Bernstein, Celibidachi, or Haitink. While I very much enjoy all Karajan’s Beethoven 9th Symphony performances, his overall Beethoven Symphony cycles are, to my ear, a bit overrated. His Mendelssohn and Tchaikovsky Symphony cycles are, on the other hand, vastly underrated.
- Listeners can sample at least Karajan’s performances of the 1st, 3rd, 4th and 5th Symphonies on the internet by dong a search on “video, Karajan, Mendelssohn Symphony.”
- Listeners who like Karajan’s performances may also want to try to purchase a copy of the Super High Material (SHM) single-layer SACD set [ASIN: B077B5G1WL] produced in Japan. Single-layer SACD means it is not a hybrid and will not play on a regular CD player. I purchased this 2-CD SHM SACD set recently but these Universal Music Company, Japan, CD releases (presumably under some type of license from DG) are limited releases and are quite expensive.

3. Bernard Haitink with (primarily) the London Philharmonic [this Mendelssohn Symphony cycle is on two Philips “Duo,” 2-CD Sets: ASIN: B01LY21B58 and ASIN: B0000041MX].

- These Philips CDs also offer very good sound – albeit, to my ear, not quite as good as the Dohnanyi Decca Set.
- This set also comes with a very enjoyable performance of Mendelssohn’s Violin Concerto with Arthur Grumiaux as well as a performance of the A Midsummer Night’s Dream, both with the Royal Concertgebouw Orchestra conducted by Bernard Haitink.

Claudio Abbado and the London Symphony also released a Mendelssohn Symphony cycle with Overtures that has gained favorable reviews from many listeners. I have that cycle, do not enjoy it anywhere near as much as the three above, but find it far more enjoyable than this Gardiner set.

Overall, this Gardiner Mendelssohn cycle is, in my opinion, one to pass on.
役に立った
 レポート
バッハ大好き
5つ星のうち5.0 さわやかな演奏、録音素晴らしい
2021年1月29日に日本でレビュー済み
Amazonで購入
スッキリしたさわやかな演奏です。もともとメンデルスゾーンは明朗で気品のある作曲家ですから、このような音楽演奏はぴったりあっていると思います。もちろん美しいだけではなく迫力もあります。音質もSACDだけあって素晴らしいです。
本BoxにはSACD hybrid4枚とPure Audio Blu-ray1枚が含まれています。Pure Audio Blu-rayの方は残念ながら私のプレイヤーDENON DCD-2500NEでは対応していませんでした。このディスク1枚の中にSACD4枚分と全く同じ曲が入っているようです。すごいですね！
役に立った
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すべてのレビューを日本語に翻訳
Pedro Maria Tapia Andres
5つ星のうち5.0 Buen surtido de musica orquestal
2022年1月10日にスペインでレビュー済み
Amazonで購入
Muy buen surtido y mejior calidad de sonido.
El blueray añadido es otro bonus a teneren cuenta
レポート
Dr. Tim Parker
5つ星のうち5.0 Excellent recordings; good value box set; definitive Midsummer Night's Dream.
2018年10月14日にカナダでレビュー済み
Amazonで購入
I have been a Mendelssohn fan since my early teens. I can't remember what triggered it, but I do know Midsummer Night's Dream was an early LP purchase, followed by the Symphonies. Over the years, I've bought hundreds of recordings of Mendelssohn's works, and still love the music. I've also become a big fan of the LSO of late, based on some of the amazing recordings they have put out recently (their Firebird with Gergiev remains one of my top ten discs). So, when this set of Gardiner recordings of Mendelssohn was packages as a boxset, it was an automatic purchase.

The recordings here are all excellent; the engineers have done a superb job with both soundstaging and dynamics. Even though these recordings were created (and released) separately over a few years, they are consistent and fresh. One of the reasons the LSO recordings have been so popular in my house of late is the excellent engineering, and all the discs here continue that trend. My father, who was a recording engineer and who taught me a lot about audio recordings, would have undoubtedly give top marks to the engineering team.

OK, so the works. Let's start with the symphonies. None of the five recordings here are "radical" in either a good or bad way. They are not "me too" recordings, either, with Gardiner bringing his own interpretations and visions to the works. The two comments may sound contractdictory, but they are not. Some "radical" interpretations of music are interesting to listen to, once or twice, but they don't stand the test of time in my opinion. So, while I'll listen to them, sually with academic as opposed to musical curiosity, I tend not to keep those recordings in heavy rotation. Gardiner has his own views on these works, and those views show up in some of the Symphonies more than others.

To take an example, Symphony 2 tends to be one of my least favorites for a simple reason: there's three charming movements, followed by a cantata that has never followed logically in most of the recordings I have. It stands out by being inconsistent to the work, I think, and it's alsways tempted me to turn off after the first three movements. The 45 minute cantata overwhelms the 30 minutes of the first three movements, removing the pleasure I had listening to the Symphony. Not so here. While still not changing my mind about the tacking on of the cantata, in Gardiner's hands and the voices of the Monteverde Choir and some excellent soloists, the cantata is listenable and almost (gasp!) enjoyable. It still doesn't fit the overall Symphony, but it is no longer a bad piece tacked onto some good music. If nothing else, making Symphony 2 listenable is worth this set alone (of course you can buy each of the Symphonies separately, if you don't want to invest in the box set).

The rest of the symphonies are done well; I don't think I would claim any of them are definitive, but a few are very close to the top of the list. Perhaps if I didn't have 50 years of listening to other versions, I might be more swayed to say these are amongst the best recordings of the works, but even holding back on the accolades, these are in the top five recordings for each individual symphony for me.

The delight of the box set is the Midsummer Night's Dream, which Gardiner and group tackle with gusto and charm. This is definitive, in my mind, and I've heard this LSO version many times since the box set arrived, charmed each time. As Mendelssohn's most popular and recognizable work, Gardiner has managed to add his own vision, and with the excellent LSO playing, has created a piece of music that will be on my desert island list, without doubt. Charming and lovely! Finally, there's three overtures here that most people may not have heard of, which round out the box quite nicely.

In the box you get five discs, four of which as SACD (compatible with standard CD players) offering stereo and multichannel versions of the works. I did listen to the multichannel, but prefer the stereo SACD personally. The fifth disc is a BluRay Audio disc which sounds amazing. While a lot of BluRay Audio discs I have tried sound almost identify to the SACD or even CD versions, here I can hear a difference! Finally, you get a link to downloadable files of the works for your portable player!

For what you get in this box at a reasonable price, this is a great buy. The music is excellent, the audio superb, and the overall package is a bargain for what you get. This box set rekindled my passion for some of the Symphonies (especially Symphony 2) and the Midsummer Night's Dream will remain definitive for a long time, I suspect.
1人のお客様がこれが役に立ったと考えています
 レポート
J. J. Bradshaw
5つ星のうち5.0 Bargain set allows you to compare CD, SACD high-res and Bluray audio high-res side by side
2021年2月6日に英国でレビュー済み
Amazonで購入
The music of Mendelssohn is simply wonderful, he had a gift for composing wonderfully melodious music which is a joy to listen to. He is one of those composers who is more familiar than many think as although his name cannot really be said to rival those of Bach, Mozart or Beethoven (does any composer), the wedding march from a Midsummer Night's Dream is still the de-facto standard tune for ladies to walk down the aisle to in much of the world and passages from his overtures and symphonies are very well known.
Musically this is a very solid set, I think I differ from most in preferring the symphonies over the recording of a Midsummer Night's Dream. For the latter work I still think Ozawa's Boston recording is the one to have, although this one is excellent and certainly if you have this set then you don't actually need to go out and buy the Ozawa recording, although that's what I'd do..... I find Gardiner's straightforward and rather upbeat, lively performances of the symphonies work extremely well and whilst not perhaps the best versions available are very competitive and certainly not disgraced by other versions which more receive more recommendations (such as Karajan). Gardiner made his name in the historically informed performance (HIP) movement and even though these performances are played by the modern London Symphony Orchestra the style is rather HIP and they are played without vibrato. So the feel is hybrid modern - HIP which I actually think works very well. The LSO perform well throughout and demonstrate that they are a world class outfit.
So to the tecchie bit. This set is interesting as you get the contents on hybrid SACD/CD discs and a Blu-ray audio, allowing you to compare the same recordings in red book 44.1/16, high res DSD SACD and high res Blu-ray. I really don't see any value in high res unless it is a multi-channel master, and then the advantage is the more immersive nature of multi-channel rather than a high sampling rate and bit depth. However, this set allows you to compare, although really you need to do a blind switching comparison to try and avoid psycho-acoustic bias. For what it's worth I discern no differences in 2 channel. No doubt apostles of high res will claim it is because I am not listening using a $100,000+ audio system, these are generally the same people who claim a night and day difference and use the usual florid language of veils being lifted blah blah blah. It's one or the other, either it is a night and day difference or whatever difference there is is so subtle it can only be discerned is spending the price of a passable house on an audio set up which is professionally set up. Which is it? On the subject of recording, the technical quality of the recordings is superb, however the recording faithfully captures the fact that the acoustics of the Barbican aren't great.
So this is a perfectly good set of the wonderful music of Mendelssohn which allows people to try and do an honest evaluation of different formats. And it is not expensive, in fact it's a bargain.
2人のお客様がこれが役に立ったと考えています
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S. Remmert
5つ星のうち5.0 Schwungvoller Mendelssohn
2019年9月3日にドイツでレビュー済み
Amazonで購入
Dies ist schwungvoller Mendelssohn! Auch wenn John Eliot Gardiner diesmal nicht mit seinem Orchestre Revolutionaire et Romantique, sondern mit dem auf modernen Instrumenten spielenden London Symphonie Orchestra musiziert, so entsteht hier ein Mendelssohn voller Schwung, Leichtigkeit, Lebendigkeit und Transparenz - ganz im Geiste der Historisch-Informierten Aufführungspraxis. Die Leichtigkeit der "Italienischen" gelingt Gardiner ganz besonders. Aber auch den geistlichen, an Chorälen orientierten Werken "Lobgesang" und "Reformationssinfonie" wird die Patina mancher konventioneller Interpretationen genommen. Die "Reformationssinfonie" gerät zu einer regelrechten Party über Luthers berühmten Choral "Ein feste Burg ist unser Gott". Voller Schwung ist auch die "Reformationssinfonie", die sonst allzu oft recht langweilig gerät.
6人のお客様がこれが役に立ったと考えています
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Cliente Amazon
5つ星のうち5.0 Sinfonie (Nn.1-5), Overtures, Sogno Di Una Notte Di Mezza Estate, Le Ebridi -Gardiner
2019年3月11日にイタリアでレビュー済み
Amazonで購入
Non si potrebbe voler di più : l'incanto di Mendelssohn e la direzione di
Gardiner con la LSO e il suono Sacd / Blue Ray Audio nella mitica Barbican Hall .
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