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Prokofiev: Symphonies Nos 1

Prokofiev, S. (アーティスト) 形式: CD
5つ星のうち4.3 19
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CD, ボックスセット, CD, 2011/5/10 CD, ボックスセット
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  1. Prokofiev: 7 Symphonies / Lieutenant Kije (2001-03-13)
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  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 14.25 x 1.91 x 12.67 cm; 326.59 g
  • メーカー ‏ : ‎ Melodiya
  • EAN ‏ : ‎ 4600317117970
  • レーベル ‏ : ‎ Melodiya
  • ASIN ‏ : ‎ B004FSJPG8
  • ディスク枚数 ‏ : ‎ 3
  • カスタマーレビュー:
    5つ星のうち4.3 19

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arazan
5つ星のうち5.0 最高の演奏
2016年2月18日に日本でレビュー済み
私が最初にレコード盤を聴いてから既に35年経ち、
いろいろな指揮者・オーケストラを聴いてきましたが
いまだに私はこの演奏が最高であるという評価に変わりはありません。
レコード盤は聴く機会がなくなってＣＤ盤を今回購入。やっぱりイイ！！
リズムが崩れることなく、まさにエネギリッシュで一気に駆け抜けていくような演奏です。
次点としてバーンスタイン指揮イスラエルフィルハーモニーの5番もイイです。
聴き比べても甲乙付けがたいものがありますが、ベストワンはこのロジェストヴェンスキー盤です。
2人のお客様がこれが役に立ったと考えています
役に立った
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すべてのレビューを日本語に翻訳
BooksRMe
5つ星のうち5.0 Super rare. Super pricey. But super good!
2021年3月12日に英国でレビュー済み
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Some of these are available on single discs, but they are older discs. This set has been remastered and you can really hear it in the clarity, presence, naturalness and overall impression. The symphonies are taken slightly quicker than average but no sacrificing clarity or technical accuracy. You'll see some reviews claim the orchestra has a little less finesse than a modern European or American orchestra but Prokofiev's music is supposed to be played that way. I met and played with Russian orchestral musicians in the 1970s (not 60's when these recordings were made) and they were TOP musicians, masters of their instruments. There'd be no unnecessary roughness with them. As said, the remastering is great, and I do not hear glitches or edits that some audiophiles claim they heard on the original discs (LPs). This is an excellent set. The other 2 sets to get are a.) Kitajenko with the Koln orchestra, and maybe b.) Weller with the LSO on Decca. Forget everything else, including Gergiev whose grunting is most distracting.
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Phil in Magnolia
5つ星のうち5.0 Raw and brash; may not be to everyone's taste, but I like Rozhdestvensky's performances a lot
2016年2月28日にアメリカ合衆国でレビュー済み
Amazonで購入
I purchased this set of Prokofiev's symphonies, performed by Gennady Rozhdestvensky conducting the Moscow Radio Symphony Orchestra and recorded in 1965-67, almost three years ago. I've been meaning to post a review to them since that time, intending to do a very scholarly comparison of these performances with others that I have in my collection - Ozawa, Järvi and Košler, along with individual symphonies by other conductors and orchestras - and simply haven't had the time to do that.

So I'll comment more briefly to these particular performances and why they appeal to me so much. And I'll say right at the beginning that these interpretations are certainly not going to be to everyone's taste. But they are distinctive, raw, and at times probably a bit undisciplined and ragged. But there is something about them that I like very much.

I'll use the beginning to Symphony 1 as an illustration of what I mean. Rozhdestvensky has the Moscow Radio Symphony Orchestra blast off at such an almost supersonic pace right from the first drop of the baton that it's breathtaking but also so rapid that you can't discern the individual elements of the music. If you play the first 30 seconds of his first, and then go to Ozawa or Jarvi or Kosler, or pretty much ANYONE else, the difference is very striking. Something about it appeals to me but I also can see where it could get tiring and seem rushed. It definitely is not going to be to everyone's taste.

The differences are not always that striking, but overall I think it's safe to say that these recordings are distinctive in a way that anyone who loves Prokofiev will want to hear. If they happen to appeal to you, as they do to me, then I think you'll love them. If not, they may still bring out elements of the music that cause you to sit back and take special note, and that's a good thing I think.

There are many complete collections of the Prokofiev symphonies, several of which I haven't yet listened to but look forward to picking up in the future (Gergiev, for example). My own collection includes the following, for comparison:

-  Prokofiev: 7 Symphonies / Lieutenant Kije  -- Seiji Ozawa conducting the Berlin Philharmonic Orchestra
-  Prokofiev: The Complete Symphonies  -- Neeme Järvi conducting the Scottish National Orchestra
-  Prokofiev: Symphonies nos 1 - 7 (complete) -- Zden'k Košler conducting the Czech Philharmonic Orchestra

The Gergiev set mentioned is:

-  Prokofiev: The Complete Symphonies  -- Valery Gergiev conducting the London Symphony Orchestra

This is some of my very favorite music, and these Rozhdestvensky performances are near the top of my list whenever I go to listen to them.
7人のお客様がこれが役に立ったと考えています
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YAKA
5つ星のうち5.0 etoiles a discuter
2016年6月13日にフランスでレビュー済み
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Oui évidemment les enregistrements sont anciens et les oreilles chaîne HiFi seront déçues ou contrariées mais sur le plan musical voilà quelque chose qui a de la valeur.J'avais connu à leur sorties les disques vinyle de ces symphonies qui sont discrètement usés maintenant. Les CDs me permettent de retrouver les plaisirs de ces interprétations russes par un vrai Russe non que les autres slaves soient autres .Gergiev fait quelque chose d'intéressant mais différent moins viscéral à mon goût (qui n'engage que moi bien sûr) En tout cas pas d'erreur à acquérir ce coffret au meilleur prix si possible!
1人のお客様がこれが役に立ったと考えています
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manfreed
5つ星のうち5.0 Profilierte Interpretationen
2013年7月10日にドイツでレビュー済み
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Wer kennt in Deutschland die kompletten Symphonien von Prokofiev? Oder hört sich diese an? Bekannt sind doch nur die erste und fünfte. Bevor ich mir diese Box besorgt habe, hatte ich einen ähnlichen Stand. Interessante Aufnahmen der anderen Sinfonien hatte ich nie gehört, bis ich zufällig die hervorragende Mravinsky-Aufnahme der Nr. 6 in die Finger bekam. Das brachte mich auf den Geschmack.
Diese preisgekrönten Aufnahmen von Roshdestvensky (seit dem Tode Kondrashins 1981 und den letzten Auftritten Mravinskys von etwa 1984 Russlands bedeutendster Dirigent) und dem Moskauer RSO von 1965-1967 (Grand Prix du Disque) könnten die Bildungslücke schließen. Alle Werke werden in ihrem jeweils eigenen Profil hervorragend ausgearbeitet. Schon die 1. ist hier in allerhöchster Prägnanz als neoklassizistische Parodie neu zu erleben; die wilde und massive 2. in aller Dramatik; in der 3. vermischt sich die Moderne mit romantischen Einsprengseln; bei der 4. (2. Fassung) werden die Kontraste und die Einfachheit der Melodiengebung brilliant dargestellt. Die ausgereifte 5. ist auch sehr gut gespielt, hier gibt es jedoch auch viel Konkurrenz: die sehr guten Interpretationen von Szell oder Dorati - und die (nach öfterem Hören) eine Spur schwächere  Rozhdestvensky Dirigiert Prokofiev/+  mit dem Leningrader PO (BBC 1971). Schließlich folgt die zuerst herbe, dann etwas lichtere 6., deren Finale zu Anfang an das der 5. erinnert (Mravinsky ist hier vielleicht noch minimal besser, aber nur in Mono). Schließlich die einfach wirkende melodische 7. Sinfonie.
Die 1918-1952 entstandenen Werke sind beim ersten Hören z. T. ein bischen sperrig. Um ihren Repertoirewert beurteilen zu können, müsste man sie häufig hören. Gegenüber den mir an musikalischer Substanz viel zu dünnen Klavierkonzerten oder Ballettmusiken scheinen sie mir aber weitaus höheren Wert zu besitzen - zumal wenn sie so gut dargeboten werden wie hier.
6人のお客様がこれが役に立ったと考えています
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frankebe
5つ星のうち5.0 FINALLY it's here... and we already missed it!
2014年7月4日にアメリカ合衆国でレビュー済み
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How did this come out in 2012 and then disappear already? I've been hoping for a good remix of these classic performances since I lost my vinyl recording of the 6th symphony somewhere in the early 1970s! Well, here it is. Buy it from whomever you can! The playing is often rough, but wow it sounds great. Rozhy's interpretations of 4, 6, and 7 are the standards by which I have always judged other performances. And his way with Numbers 1, 2, 3, and 5 are certainly good enough (fascinating enough!) to justify multiple listenings. In fact re-listening to #3, I think this is the best performance out there, Abbado notwithstanding. And scary as Hell!

Now I wouldn't give up my Ormandy for #1 and 5, and I've always liked Leinsdorf's 2 & 6, and Previn's #7 (although he uses the alternate ending). Those conducts seem to emphasize the actual beauty of sound in Prokofiev's bizarre orchestrations. But Rozh's choice of tempos, the way he handles transitions, and the instrumental highlighting is very, very satisfying to me. Wow, I love those horns BLASTING out the main theme near the end of the 6th! Did the conductor ask them to stand up and take their hands completely out of the bell?? And there is so much dissonance I never hear in other performances, where the inside-voices are usually held back too far. The tuba player really gets to swing out in these (Andre Previn and his London S.O. also does good with this, in #7). Here and there a trumpet or clarinet is a little out of tune, and I love that too! I just can't wait to hear it all again!

As a set, for me this is definitive. (Jarvi's interpretations are very fine, too, but the thin, shiny, piercing sound of the Chandos engineering just destroys my ears, so I cannot listen to it.) Previous CD incarnations of some of these Rozhy performances were also shrieky and hard to listen to, but here is the re-mastering we've been waiting for. Fantastic. Buy it, buy it, buy it! QUICK, before it's totally GONE!
23人のお客様がこれが役に立ったと考えています
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